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Yume Nikki:Number World(name): Difference between revisions

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[[File:Numbersworld.jpg|link=http://yumenikki.wikia.com/wiki/Number_World|frame|left|Number_World(Red_Evil_Eye_Door)]]
[[File:YN Number World.png|thumb|400px|link=http://yumenikki.wikia.com/wiki/Number_World|left|Number World(Red Evil Eye Door)]]




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==[http://ja.wikipedia.org/wiki/%E9%9A%BB%E7%9C%BC#.E8.B5.B7.E6.BA.90 The Evil Eye] Door([http://en.wikipedia.org/wiki/Evil_eye Evil eye])==


<u>[[File:Red_Evil_Eye_Door(One_Reg,One_Hand).jpg|thumb|Red Evil Eye Door(One Reg & Hand)]]</u>


==[[Number World]]([http://ja.wikipedia.org/wiki/%E9%9A%BB%E7%9C%BC#.E8.B5.B7.E6.BA.90 The Evil Eye] Door)==
The '''evil eye''' is a look that is believed by many cultures to be able to cause injury or bad luck for the person at whom it is directed for reasons of [http://en.wikipedia.org/wiki/Envy <u>envy</u>] or dislike.<sup class="reference" id="cite_ref-1">[http://en.wikipedia.org/wiki/Evil_eye#cite_note-1 <u>[1</u>]]</sup> <sup class="reference" id="cite_ref-2">[http://en.wikipedia.org/wiki/Evil_eye#cite_note-2 <u>[2</u>]]</sup>The term also refers to the power attributed to certain persons of inflicting injury or bad luck by such an envious or ill-wishing look. The evil eye is usually given to others who remain unaware.<sup class="reference" id="cite_ref-3">[http://en.wikipedia.org/wiki/Evil_eye#cite_note-3 <u>[3</u>]]</sup>
[http://ja.wikipedia.org/wiki/%E9%9A%BB%E7%9C%BC#.E7.A5.9E.E8.A9.B1.E3.83.BB.E4.BC.9D.E8.AA.AC.E3.81.AE.E4.B8.AD.E3.81.AE.E9.9A.BB.E7.9C.BC <u>3 神話・伝説の中の隻眼</u>](3 Sekigan in the legend, myth)
 
 
<u>[[File:Ruby_Eye_Pendant.jpg|thumb|]][http://en.wikipedia.org/wiki/Evil_eye#Protective_talismans_and_cures 4 Protective talismans and cures]</u>
A Ruby Eye Pendant from an ancient civilization in Mesopotamia was possibly used as amulet to protect against evil eyes. Adilnor Collection.
==[http://ja.wikipedia.org/wiki/%E9%9A%BB%E7%9C%BC#.E8.B5.B7.E6.BA.90 The Evil Eye] Door([http://ja.wikipedia.org/wiki/%E9%9A%BB%E7%9C%BC 隻眼])==
[http://ja.wikipedia.org/wiki/%E9%9A%BB%E7%9C%BC#.E7.A5.9E.E8.A9.B1.E3.83.BB.E4.BC.9D.E8.AA.AC.E3.81.AE.E4.B8.AD.E3.81.AE.E9.9A.BB.E7.9C.BC <u>3 神話・伝説の中の隻眼</u>] (3 One-eye in the legend, myth)




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[http://ja.wikipedia.org/wiki/%E9%9A%BB%E7%9C%BC 隻眼](seki-gan) or 独眼(doku-gan) is, refers to a state of disability that has lost sight of the eye itself and one side.
[http://ja.wikipedia.org/wiki/%E9%9A%BB%E7%9C%BC 隻眼](seki-gan) or 独眼(doku-gan) is, refers to a state of disability that has lost sight of the eye itself and one side.
----


[http://ja.wikipedia.org/wiki/%E9%9A%BB%E7%9C%BC#.E5.BD.A2.E6.85.8B <u>3.1 形態</u>](3.1 Form)
[http://ja.wikipedia.org/wiki/%E9%9A%BB%E7%9C%BC#.E5.BD.A2.E6.85.8B <u>3.1 形態</u>](3.1 Form)
[[File:Forestworld(hitotsume-kozo).png|thumb|70px|Forest World(隻眼)]]


隻眼は、字義的には本来二つあるべき目のうちの片方が失われたか、または存在しない左右非対称な形象であるが、一部においては顔の真ん中に([http://ja.wikipedia.org/wiki/%E5%8D%98%E7%9C%BC%E7%97%87 <u>単眼症</u>]のように)一つだけ目が存在すると表現されることもある([http://ja.wikipedia.org/wiki/%E3%82%AD%E3%83%A5%E3%82%AF%E3%83%AD%E3%83%BC%E3%83%97%E3%82%B9 <u>キュクロープス</u>]など)。
隻眼は、字義的には本来二つあるべき目のうちの片方が失われたか、または存在しない左右非対称な形象であるが、一部においては顔の真ん中に([http://ja.wikipedia.org/wiki/%E5%8D%98%E7%9C%BC%E7%97%87 <u>単眼症</u>]のように)一つだけ目が存在すると表現されることもある([http://ja.wikipedia.org/wiki/%E3%82%AD%E3%83%A5%E3%82%AF%E3%83%AD%E3%83%BC%E3%83%97%E3%82%B9 <u>キュクロープス</u>]など)。
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Sekigan, which is a shape asymmetrical non-existent one of the eye should be two original is lost or is literally (as in [http://en.wikipedia.org/wiki/Cyclopia cyclopia]) in some one in the middle of the face eyes may be expressed only exists (such as [http://en.wikipedia.org/wiki/Cyclops Cyclops]).
Sekigan, which is a shape asymmetrical non-existent one of the eye should be two original is lost or is literally (as in [http://en.wikipedia.org/wiki/Cyclopia cyclopia]) in some one in the middle of the face eyes may be expressed only exists (such as [http://en.wikipedia.org/wiki/Cyclops Cyclops]).


[[File:Red_Evil_Eye_Door(One_Reg,One_Hand).jpg|thumb|Red_Evil_Eye_Door(One_Reg&One_Hand)]]


[http://yumenikki.wikia.com/wiki/Ghost_World#Points_of_Interest 1 Points of Interest]


The [http://yumenikki.wikia.com/wiki/Effects#Triangle_Kerchief Triangle Kerchief effect] is received here, by catching [http://yumenikki.wikia.com/wiki/List_of_Characters#Fleeing_Ghost The Fleeing Ghost]. →[http://ja.wikipedia.org/wiki/%E9%9A%BB%E7%9C%BC 隻眼](seki-gan)


[http://ja.wikipedia.org/wiki/%E9%9A%BB%E7%9C%BC#.E8.B5.B7.E6.BA.90 <u>3.3 起源</u>](3.3 Origin)
----
[http://ja.wikipedia.org/wiki/%E9%9A%BB%E7%9C%BC#.E8.B5.B7.E6.BA.90 <u>3.3 起源</u>] (3.3 Origin)


[http://ja.wikipedia.org/wiki/%E3%82%B1%E3%83%AB%E3%83%88%E7%A5%9E%E8%A9%B1 <u>ケルト神話</u>]の神[http://ja.wikipedia.org/wiki/%E3%83%AB%E3%83%BC_(%E7%A5%9E) <u>ルー</u>]は戦時中片目だけを開き(これは英雄[http://ja.wikipedia.org/wiki/%E3%82%AF%E3%83%BC%E3%83%BB%E3%83%95%E3%83%BC%E3%83%AA%E3%83%B3 <u>クー・フーリン</u>]も同じ。またルーの祖父は片目が邪眼だった)、一本脚で戦士たちを鼓舞したが、[http://ja.wikipedia.org/wiki/%E3%83%8C%E3%82%A1%E3%82%B6 <u>ヌァザ</u>]は戦争中片腕を切断された。ケルトの事例については邪眼との関連が強いことから、戦闘時の呪術に関係するものだという説も提出されている (Jacqueline Borsje, 'The Evil Eye' in early Irish literature and law) 。
[http://ja.wikipedia.org/wiki/%E3%82%B1%E3%83%AB%E3%83%88%E7%A5%9E%E8%A9%B1 <u>ケルト神話</u>]の神[http://ja.wikipedia.org/wiki/%E3%83%AB%E3%83%BC_(%E7%A5%9E) <u>ルー</u>]は戦時中片目だけを開き(これは英雄[http://ja.wikipedia.org/wiki/%E3%82%AF%E3%83%BC%E3%83%BB%E3%83%95%E3%83%BC%E3%83%AA%E3%83%B3 <u>クー・フーリン</u>]も同じ。またルーの祖父は片目が邪眼だった)、一本脚で戦士たちを鼓舞したが、[http://ja.wikipedia.org/wiki/%E3%83%8C%E3%82%A1%E3%82%B6 <u>ヌァザ</u>]は戦争中片腕を切断された。ケルトの事例については邪眼との関連が強いことから、戦闘時の呪術に関係するものだという説も提出されている (Jacqueline Borsje, 'The Evil Eye' in early Irish literature and law) 。
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[http://yumenikki.wikia.com/wiki/Number_World(name)#The_Evil_Eye_Door.28Evil_eye.29 1 The Evil Eye Door(Evil eye)]
A Ruby Eye Pendant from an ancient civilization in Mesopotamia was possibly used as amulet to protect against evil eyes.
----
[http://ja.wikipedia.org/wiki/%E9%9A%BB%E7%9C%BC#.E8.B5.B7.E6.BA.90 <u>3.3 起源</u>] (3.3 Origin)


北欧神話が所属する[http://ja.wikipedia.org/wiki/%E3%82%A4%E3%83%B3%E3%83%89%E3%83%BB%E3%83%A8%E3%83%BC%E3%83%AD%E3%83%83%E3%83%91%E8%AA%9E%E6%97%8F <u>インド・ヨーロッパ語族</u>]の伝承については、[http://ja.wikipedia.org/wiki/%E3%82%B8%E3%83%A7%E3%83%AB%E3%82%B8%E3%83%A5%E3%83%BB%E3%83%87%E3%83%A5%E3%83%A1%E3%82%B8%E3%83%AB <u>ジョルジュ・デュメジル</u>]が彼の三機能仮説における第一機能との関連を主張した。明確な理由は不明だが、第一機能(呪術的主権・司法的主権の二項対立がある)のうち一方は片目がなく、もう一方は片腕がない、というものである。
北欧神話が所属する[http://ja.wikipedia.org/wiki/%E3%82%A4%E3%83%B3%E3%83%89%E3%83%BB%E3%83%A8%E3%83%BC%E3%83%AD%E3%83%83%E3%83%91%E8%AA%9E%E6%97%8F <u>インド・ヨーロッパ語族</u>]の伝承については、[http://ja.wikipedia.org/wiki/%E3%82%B8%E3%83%A7%E3%83%AB%E3%82%B8%E3%83%A5%E3%83%BB%E3%83%87%E3%83%A5%E3%83%A1%E3%82%B8%E3%83%AB <u>ジョルジュ・デュメジル</u>]が彼の三機能仮説における第一機能との関連を主張した。明確な理由は不明だが、第一機能(呪術的主権・司法的主権の二項対立がある)のうち一方は片目がなく、もう一方は片腕がない、というものである。


For Indo-European tradition that belongs to Norse mythology, Georges Dumezil has claimed the first function in the context of his three feature hypothesis. Obvious reason is unknown, but is one of those (there is a dichotomy of sovereignty and judicial sovereignty magical) function does not have a first one eye, one that there is no other arm.
For Indo-European tradition that belongs to Norse mythology, Georges Dumezil has claimed the first function in the context of his three feature hypothesis. Obvious reason is unknown, but is one of those (there is a dichotomy of sovereignty and judicial sovereignty magical) function does not have a first one eye, one that there is no other arm.
[http://yumenikki.wikia.com/wiki/Number_World(name)#Number_World.28Magic_number_.28programming.29.29 5 Number World(Magic number (programming))]
there is a dichotomy of sovereignty and judicial sovereignty magical([http://ja.wikipedia.org/wiki/%E9%9A%BB%E7%9C%BC 隻眼])→[http://en.wikipedia.org/wiki/Magic_number_(programming) Magic number (programming)]?
----
[http://ja.wikipedia.org/wiki/%E9%9A%BB%E7%9C%BC#.E8.B5.B7.E6.BA.90 <u>3.3 起源</u>] (3.3 Origin)


つまり隻腕ならびに一本足が、この場合では隻眼、隻腕の組み合わせになっている。たとえばオーディンは片目がないが、[http://ja.wikipedia.org/wiki/%E3%83%86%E3%83%A5%E3%83%BC%E3%83%AB <u>テュール</u>]は片腕がない([http://ja.wikipedia.org/wiki/%E3%83%95%E3%82%A7%E3%83%B3%E3%83%AA%E3%83%AB <u>フェンリル</u>]狼に食いちぎられた)。
つまり隻腕ならびに一本足が、この場合では隻眼、隻腕の組み合わせになっている。たとえばオーディンは片目がないが、[http://ja.wikipedia.org/wiki/%E3%83%86%E3%83%A5%E3%83%BC%E3%83%AB <u>テュール</u>]は片腕がない([http://ja.wikipedia.org/wiki/%E3%83%95%E3%82%A7%E3%83%B3%E3%83%AA%E3%83%AB <u>フェンリル</u>]狼に食いちぎられた)。


One leg, but in this case is a combination Sekigan, namely the one-armed and one-armed. Odin has one eye is not, for example, is Te~yuru (which was bitten off by the wolf Fenrir) there is no arm.
[[File:Kyukyu.png|thumb|KyuuKyuu-kun(Tyr)]]
==[[Number World]](Chuck Man)==
[[File:Chuck_Man(Odd_Eye).jpg|thumb|Chuck_Man(Odd_Eye)]][http://ja.wikipedia.org/wiki/%E9%9A%BB%E7%9C%BC#.E8.B5.B7.E6.BA.90 <u>3.3 起源</u>](3.3 Origin)


ほかにも隻眼は男根の象徴であるとする説(民俗学者[http://ja.wikipedia.org/w/index.php?title=%E3%82%A2%E3%83%A9%E3%83%B3%E3%83%BB%E3%83%80%E3%83%B3%E3%83%87%E3%82%B9&action=edit&redlink=1 <u>アラン・ダンデス</u>]のWet and Dry,the Evil Eyeや[http://ja.wikipedia.org/w/index.php?title=%E5%A0%80%E7%94%B0%E5%90%89%E9%9B%84&action=edit&redlink=1 <u>堀田吉雄</u>]『山の神の研究』など)、太陽の象徴であるとする説(古典学者アーサー・バーナード・クックのZeusvol.2やその追随者たち)など多くの仮説が存在するが、いずれも決定的なものではない。
One leg, but in this case is a combination Sekigan, namely the one-armed and one-armed. Odin has one eye is not, for example, is [http://en.wikipedia.org/wiki/T%C3%BDr Týr] (which was bitten off by the wolf Fenrir) there is no arm.
 
In addition to the theory (such as Wet and Dry Alan Dandesu folklorist, "Study of the mountain god" Yoshio Hotta and the Evil Eye) theory that is a symbol of phallic, and is a symbol of the sun Sekigan Arthur classical scholar (hypothesis, and much more) and that his followers Zeusvol.2 Bernard Cook exists but is not critical either.


[[File:AAAA_Lampworld.png|thumb|"One eye (one leg)" _"human sacrifice"_"to prevent the escape"]]


[http://yumenikki.wikia.com/wiki/KyuuKyuu-kun(name)#KyuuKyuu-kun.28T.C3.BDr.29 3 KyuuKyuu-kun(Týr)]


==[[Number World]]([[Effects#Crick_in_the_Neck|Crick in the Neck]])==
[http://yumenikki.wikia.com/wiki/KyuuKyuu-kun KyuuKyuu-kun](some loss of arm strength?) and [http://yumenikki.wikia.com/wiki/Number_World Number World] Door is only Right arm.
==[[Yume Nikki:Effects#Crick in the Neck|Crick in the Neck]]([http://ja.wikipedia.org/wiki/%E9%9A%BB%E7%9C%BC 隻眼])==


[http://ja.wikipedia.org/wiki/%E9%9A%BB%E7%9C%BC#.E8.B5.B7.E6.BA.90 <u>3.3 起源</u>](3.3 Origin)
[http://ja.wikipedia.org/wiki/%E9%9A%BB%E7%9C%BC#.E8.B5.B7.E6.BA.90 <u>3.3 起源</u>](3.3 Origin)
[[File:AAAA_Lampworld.png|thumb|Crick in the Neck(隻眼)]]


学術的な観点からもいくつかの説が唱えられている。日本だけに限れば、[http://ja.wikipedia.org/wiki/%E6%9F%B3%E7%94%B0%E5%9C%8B%E7%94%B7 <u>柳田國男</u>]は、Several theories have been cast from an academic point of view. Be limited to Japan, "[http://en.wikipedia.org/wiki/Kunio_Yanagita Kunio Yanagida]",
学術的な観点からもいくつかの説が唱えられている。日本だけに限れば、[http://ja.wikipedia.org/wiki/%E6%9F%B3%E7%94%B0%E5%9C%8B%E7%94%B7 <u>柳田國男</u>]は、Several theories have been cast from an academic point of view. Be limited to Japan, "[http://en.wikipedia.org/wiki/Kunio_Yanagita Kunio Yanagida]",
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the cause had been hurt in one eye (one leg) and have that came to be identified with the deity of human sacrifice to be dedicated to God originally to prevent the escape it was considered to be (and so "[http://en.wikipedia.org/wiki/Hitotsume-koz%C5%8D one-eyed boys]")
the cause had been hurt in one eye (one leg) and have that came to be identified with the deity of human sacrifice to be dedicated to God originally to prevent the escape it was considered to be (and so "[http://en.wikipedia.org/wiki/Hitotsume-koz%C5%8D one-eyed boys]")
----


[http://yumenikki.wikia.com/wiki/Events#Gameplay_Events 1 Gameplay Events]
*[http://yumenikki.wikia.com/wiki/Events#Crick_in_the_Neck 1.2 Crick in the Neck]
<p class="toclevel-2 tocsection-3">Description: Occasionally, when Madotsuki gets out of bed she will have a 'crick' in her neck, causing her head to be constantly turned to the left.</p>
※"[[Yume Nikki:Madotsuki|Madotsuki]]" is a one-eyed([http://ja.wikipedia.org/wiki/%E9%9A%BB%E7%9C%BC 隻眼]?) look from the front.
==Chuck Man([http://ja.wikipedia.org/wiki/%E9%9A%BB%E7%9C%BC 隻眼])==
[[File:Chuck_Man(Odd_Eye).jpg|thumb|Chuck_Man(Odd_Eye)]][http://ja.wikipedia.org/wiki/%E9%9A%BB%E7%9C%BC#.E8.B5.B7.E6.BA.90 <u>3.3 起源</u>](3.3 Origin)


ほかにも隻眼は男根の象徴であるとする説(民俗学者[http://ja.wikipedia.org/w/index.php?title=%E3%82%A2%E3%83%A9%E3%83%B3%E3%83%BB%E3%83%80%E3%83%B3%E3%83%87%E3%82%B9&action=edit&redlink=1 <u>アラン・ダンデス</u>]のWet and Dry,the Evil Eyeや[http://ja.wikipedia.org/w/index.php?title=%E5%A0%80%E7%94%B0%E5%90%89%E9%9B%84&action=edit&redlink=1 <u>堀田吉雄</u>]『山の神の研究』など)、太陽の象徴であるとする説(古典学者アーサー・バーナード・クックのZeusvol.2やその追随者たち)など多くの仮説が存在するが、いずれも決定的なものではない。


In addition to the theory (such as Wet and Dry Alan Dandesu folklorist, "Study of the mountain god" Yoshio Hotta and the Evil Eye) theory that is a symbol of phallic, and is a symbol of the sun Sekigan Arthur classical scholar (hypothesis, and much more) and that his followers Zeusvol.2 Bernard Cook exists but is not critical either.
==Chuck Man([http://en.wikipedia.org/wiki/Zipper Zipper])==


A '''zipper''', '''zip''', or '''zip fastener''', is a commonly used device for binding the edges of an opening of [http://en.wikipedia.org/wiki/Textile <u>fabric</u>] or other flexible material, as on a garment or a bag.<sup class="reference" id="cite_ref-1">[http://en.wikipedia.org/wiki/Zipper#cite_note-1 <u>[1</u>]]</sup>


Zippers may
*increase or decrease the size of an opening to allow or restrict the passage of objects, as in the fly of [http://en.wikipedia.org/wiki/Trousers <u>trousers</u>] or in a [http://en.wikipedia.org/wiki/Pocket <u>pocket</u>].




[[File:450px-Plastic-_and_Nylonzipper.jpg|thumb|100px|Chuck Man(Zipper)]]


----


[http://yumenikki.wikia.com/wiki/Number_World(name)#Chuck_Man.28.E9.9A.BB.E7.9C.BC.29 4 Chuck Man(隻眼)]


[[File:Mt_Fuji_ESC.jpg|thumb|Aerial photographs of Mount Fuji]]
In addition to the theory (such as Wet and Dry Alan Dandesu folklorist, "Study of the mountain god" Yoshio Hotta and the Evil Eye) theory that is a symbol of phallic.
==[[Number_World#The_Stabbing_Room|The Stabbing Room]]([http://en.wikipedia.org/wiki/Mount_Fuji Mount Fuji])==


Mount Fuji <span style="font-weight: normal;">(富士山<span class="t_nihongo_comma" style="display: none;">,</span> ''Fuji-san''<sup>[http://en.wikipedia.org/wiki/Help:Installing_Japanese_character_sets <span class="t_nihongo_icon" style="font: bold 80%/normal sans-serif; padding: 0px 0.1em; color: rgb(0, 0, 238); text-decoration: none; font-size-adjust: none; font-stretch: normal;"><u>?</u></span>]</sup>, IPA: [http://en.wikipedia.org/wiki/Help:IPA_for_Japanese <u>[ɸɯꜜdʑisaɴ</u>]] ([http://en.wikipedia.org/wiki/File:Fuji-san.ogg] [http://upload.wikimedia.org/wikipedia/commons/c/c1/Fuji-san.ogg <u>listen</u>]))</span>, located on Honshu Island, is the highest [http://en.wikipedia.org/wiki/Mountain <u>mountain</u>] in [http://en.wikipedia.org/wiki/Japan <u>Japan</u>] at 3,776.24 m (12,389 ft).<sup class="reference" id="cite_ref-Fujiinfo_1-2">[http://en.wikipedia.org/wiki/Mount_Fuji#cite_note-Fujiinfo-1 <u>[1</u>]]</sup> An [http://en.wikipedia.org/wiki/Active_volcano <u>active</u>] [http://en.wikipedia.org/wiki/Stratovolcano <u>stratovolcano</u>]<sup class="reference" id="cite_ref-5">[http://en.wikipedia.org/wiki/Mount_Fuji#cite_note-5 <u>[5</u>]]</sup><sup class="reference" id="cite_ref-6">[http://en.wikipedia.org/wiki/Mount_Fuji#cite_note-6 <u>[6</u>]]</sup> that last erupted in 1707–08, Mount Fuji lies about 100 kilometres (62 mi) south-west of [http://en.wikipedia.org/wiki/Tokyo <u>Tokyo</u>], and can be seen from there on a clear day. Mount Fuji's exceptionally symmetrical cone, which is snow-capped several months a year, is a well-known symbol of Japan and it is frequently depicted in art and photographs, as well as visited by sightseers and climbers. It is one of Japan's "Three Holy Mountains" <span style="font-weight: normal;">(三霊山<span class="t_nihongo_comma" style="display: none;">,</span> ''Sanreizan''<sup>[http://en.wikipedia.org/wiki/Help:Installing_Japanese_character_sets <span class="t_nihongo_icon" style="font: bold 80%/normal sans-serif; padding: 0px 0.1em; color: rgb(0, 0, 238); text-decoration: none; font-size-adjust: none; font-stretch: normal;"><u>?</u></span>]</sup>)</span> along with [http://en.wikipedia.org/wiki/Mount_Tate <u>Mount Tate</u>] and [http://en.wikipedia.org/wiki/Mount_Haku <u>Mount Haku</u>]; it is a [http://en.wikipedia.org/wiki/List_of_Special_Places_of_Scenic_Beauty,_Special_Historic_Sites_and_Special_Natural_Monuments <u>Special Place of Scenic Beauty</u>], a [http://en.wikipedia.org/wiki/Monuments_of_Japan <u>Historic Site</u>], and has been submitted for future inscription on the [http://en.wikipedia.org/wiki/List_of_World_Heritage_Sites_in_Japan <u>World Heritage List</u>] as a Cultural (rather than Natural) Site.<sup class="reference" id="cite_ref-7">[http://en.wikipedia.org/wiki/Mount_Fuji#cite_note-7 <u>[7</u>]]</sup><sup class="reference" id="cite_ref-8">[http://en.wikipedia.org/wiki/Mount_Fuji#cite_note-8 <u>[8</u>]]</sup><sup class="reference" id="cite_ref-9">[http://en.wikipedia.org/wiki/Mount_Fuji#cite_note-9 <u>[9</u>]]</sup>
※Chuck Man is A man wearing trousers→theory that is a symbol of phallic([http://ja.wikipedia.org/wiki/%E9%9A%BB%E7%9C%BC 隻眼])


[[File:The_Stabbing_Room.png|thumb|(一富士、二鷹、三茄子; 1. Fuji, 2. Hawk, 3. Eggplant)]]
==[http://en.wikipedia.org/wiki/Mount_Fuji Mount Fuji]([http://en.wikipedia.org/wiki/Hatsuyume Hatsuyume])==
[http://ja.wikipedia.org/wiki/%E5%88%9D%E5%A4%A2#.E4.B8.80.E5.AF.8C.E5.A3.AB.E4.BA.8C.E9.B7.B9.E4.B8.89.E8.8C.84.E5.AD.90 <u>2.2 一富士二鷹三茄子</u>]
Although this superstition is well known in Japan, often memorized in the form ''Ichi-Fuji, Ni-Taka, San-Nasubi'' (一富士、二鷹、三茄子; 1. Fuji, 2. Hawk, 3. Eggplant), the continuation of the list is not as well known. The continuation is ''Yon-Sen, Go-Tabako, Roku-Zatō'' (四扇、五煙草、六座頭; 4. Fan, 5. Tobacco, 6. Blind [http://en.wikipedia.org/wiki/Acupressure <u>acupressurer</u>]). The origins of this trio are less well known, and it is unclear whether they were added after the original three or whether the list of six originated at the same time.


[[File:LSD (video game) - Mt.Fuji|thumb|right|335 px|OSD『LSD (video game)』(October 22, 1998)]]
==[[Yume Nikki:Number World|Number World]]([https://ja.wikipedia.org/wiki/%E5%8B%87%E8%80%85 勇者])==
==[http://en.wikipedia.org/wiki/Mount_Fuji Mount Fuji]([http://en.wikipedia.org/wiki/LSD_(video_game) LSD (video game)])==
[[File:AAAAA_Trap.png|thumb|Number World(ああああ)]]
Developer(s) - OutSide Directors Company<br />Platform(s) - PlayStation, PSN<br />Release date(s) - JP October 22, 1998


<br />『LSD (video game)  - The Opening Movie』 #0:00~0:38
[https://ja.wikipedia.org/wiki/%E5%8B%87%E8%80%85#.E3.83.95.E3.82.A1.E3.83.B3.E3.82.BF.E3.82.B8.E3.83.BC.E3.81.AB.E3.81.8A.E3.81.91.E3.82.8B.E5.8B.87.E8.80.85 <u>3 ファンタジーにおける勇者</u>]
*[https://ja.wikipedia.org/wiki/%E5%8B%87%E8%80%85#.E3.82.B3.E3.83.B3.E3.83.94.E3.83.A5.E3.83.BC.E3.82.BF.E3.82.B2.E3.83.BC.E3.83.A0.E3.81.A8.E3.83.91.E3.83.AD.E3.83.87.E3.82.A3 <u>3.1 コンピュータゲームとパロディ</u>]
コンピューターゲームにおいては主人公の名前などをプレイヤー自身で設定できるようになっているものも多い反面、適当に命名するプレイヤーもそれなりにおり、名前入力画面でカーソルの初期設定位置にある「あ」を連続で入力した「ああああ」という名前がコンピューターゲームの勇者の名前としてパロディ・オマージュ的に引き合いに出されることがある(『魔法陣グルグル』『[https://ja.wikipedia.org/wiki/%E5%8B%87%E8%80%85%E3%81%AE%E3%81%8F%E3%81%9B%E3%81%AB%E3%81%AA%E3%81%BE%E3%81%84%E3%81%8D%E3%81%A0%E3%80%82 <u>勇者のくせになまいきだ。</u>]』など)。


http://en.wikipedia.org/wiki/LSD_(video_game)


While there is much what can set up a hero's name etc. now for player itself in a computer game, The name which inputted continuously "あ" where the player named suitably is also as it is, and which has it in the initial setting position of a cursor on a name input screen may be referred to in parody hommage as a name of a computer game.
==Number World([http://en.wikipedia.org/wiki/Magic_number_(programming) Magic number (programming)])==


[[File:Hyottoko-karlcow.jpg|thumb|The Stabbing Room(Hyottoko)]]
In [http://en.wikipedia.org/wiki/Computer_programming <u>computer programming</u>], the term '''magic number''' has multiple meanings.
==[[Number_World#The_Stabbing_Room|The Stabbing Room]]([http://en.wikipedia.org/wiki/Hyottoko Hyottoko])==


'''空調用ダクトのひょっとこ'''
[[File:Number_World.png|thumb|Number World(Magic Number)]]


冷暖房に使用する[http://ja.wikipedia.org/wiki/%E3%83%80%E3%82%AF%E3%83%88 <u>ダクト</u>]の部材において、主管から分岐する場合に抵抗を減らすために風の流れる方向に広がった台形状の取り出し管のことを「ひょっとこ」と呼称する。吹き出し口に取り出す場合に、天井開口から作業できるように、内側から折り倒せるように加工した取り出し管を「内ひょっとこ」と呼称する。ともに取り出し部分にあたる鉄板がひょっとこの面の口のように飛び出していることからの呼称である。
Unique values with unexplained meaning or multiple occurrences which could (preferably) be replaced with named constants


[http://www.duct-jp.net/yougo/index.php#6 <u>ダクト用語集(外部リンク)</u>]
----


[[File:Stabbing-room-clear.png|thumb|left|Two eyes,lips sake cup(Hyottoko)]]'''Hyottoko of air-conditioning duct'''
FC World C is a part of the [http://yumenikki.wikia.com/wiki/FC_world FC world].


Referred to as "Hyottoko" that removal of trapezoidal tube in the duct member to be used for air conditioning and extends in the direction of flow of air in order to reduce the resistance when branching from the main pipe. Referred to as "Hyottoko in the" if you take out a pickup tube to the outlet, so that you can work from the ceiling opening, worked from the inside to defeat fold. It is referred that protrudes from the steel plate so that the portion corresponding to the mouth of the surface of the Hyottoko removed together.
[[File:FC World C (Magic Number) by marqueskart|thumb|left|335px|FC World C (Magic Number) by marqueskart ]]




Line 133: Line 173:




==[[List_of_Characters#Wheelies_.28Number_World.29|Wheelies(Number World)]]([http://en.wikipedia.org/wiki/Tar%C5%8D_Okamoto Tarō Okamoto])==
Tarō Okamoto <span style="font-weight: normal;">(岡本 太郎<span class="t_nihongo_comma" style="display: none;">,</span> ''Okamoto Tarō''<sup>[http://en.wikipedia.org/wiki/Help:Installing_Japanese_character_sets <span class="t_nihongo_icon" style="font: bold 80%/normal sans-serif; padding: 0px 0.1em; color: rgb(0, 0, 238); text-decoration: none; font-size-adjust: none; font-stretch: normal;"><u>?</u></span>]</sup>, February 26, 1911 – January 7, 1996)</span> was a Japanese artist noted for his abstract and [http://en.wikipedia.org/wiki/Avant-garde <u>avant-garde</u>] paintings and sculpture.
[[File:Wheelies_(Number_World).png|link=http://yumenikki.wikia.com/wiki/List_of_Characters|frame|Wheelies(Number World)]]


[http://ja.wikipedia.org/wiki/%E5%B2%A1%E6%9C%AC%E5%A4%AA%E9%83%8E#.E4.B8.BB.E3.81.AA.E4.BD.9C.E5.93.81 <u>4 主な作品</u>] [http://ja.wikipedia.org/wiki/%E5%B2%A1%E6%9C%AC%E5%A4%AA%E9%83%8E#.E7.AB.8B.E4.BD.93.E4.BD.9C.E5.93.81 <u>4.2 立体作品</u>]


岡本太郎『坐る事を拒否する椅子』([http://ja.wikipedia.org/wiki/%E9%99%B6%E5%99%A8 <u>陶器</u>]、[http://ja.wikipedia.org/wiki/1963%E5%B9%B4 <u>1963年</u>])
Updated: 2013/02/18<br />"ゆめにっき   Yume Nikki   06 Famicom World" #0:30~0:55


Okamoto Tarō "Chair refused to sit" (Ware, 1963)
Movie by marqueskart
http://www.youtube.com/watch?v=eCWf8kbrg6k


http://media.excite.co.jp/ism/097/01okamoto1.html




椅子が人間と「対等」に振る舞う
==Number World([http://en.wikipedia.org/wiki/Binary_number Binary number])==
[[File:Number_World(Binary_number).png|thumb|Number World(Binary number)]]


Chair act on an equal footing with man
In [http://en.wikipedia.org/wiki/Mathematics <u>mathematics</u>] and [http://en.wikipedia.org/wiki/Computer_science <u>computer science</u>], the '''binary numeral system''', or '''base-2 numeral system''', represents numeric values using two symbols: typically [http://en.wikipedia.org/wiki/0_(number) <u>0</u>] and [http://en.wikipedia.org/wiki/1_(number) <u>1</u>].


『坐ることを拒否する椅子』の座面は、座られることをよしとしない表情と突出した硬い造りになっていて精神的にも肉体的にも人間に抵抗感を与える。
[http://en.wikipedia.org/wiki/Binary_number#History <u>1 History</u>]


Bearing surface of the "chair refused to sit" gives a sense of resistance to the human both mentally and physically they become brick hard that protrudes expression and does not good to be sitting.
The modern binary number system was discovered by [http://en.wikipedia.org/wiki/Gottfried_Leibniz <u>Gottfried Leibniz</u>] in 1679. See his article:''Explication de l'Arithmétique Binaire''<sup class="reference" id="cite_ref-9">[http://en.wikipedia.org/wiki/Binary_number#cite_note-9 <u>[9</u>]]</sup>(1703).


物を人間と対等に捉えた太郎は、椅子と人間の感情の対峙を図ったのだ。<br />ここでは岡本太郎記念館で展示中の6種類を解説。
----
[[File:Gottfried_Wilhelm_von_Leibniz.jpg|thumb|Gottfried Wilhelm von Leibniz]]


Taro was caught on an equal footing with human things, he was the face of human emotions and Haka~tsu chair.
[http://yumenikki.wikia.com/wiki/Windmill_World(name)#Windmill_World.28THE_MONADOLOGY.29 1 Windmill World(THE MONADOLOGY)]
Here describes the six types of Taro Okamoto Memorial Museum Exhibition.


[[File:坐ることを拒否する椅子2.png|link=http://media.excite.co.jp/ism/097/01okamoto3.html|frame|left|岡本太郎『坐る事を拒否する椅子』(1963年)]]
In imagining that there is a machine whose construction would enable it to think, to sense, and to have perception, one could conceive it enlarged while retaining the same proportions, so that one could enter into it, just like into a windmill.


1、ギョロリとした2つの            2、大きく見開かれた眼と           3、眼鏡の上に着座する<br />  眼が睨みをきかせる              まつ毛を彷彿させる              抵抗感を生じさせる     
The thought experiment of the windmill by [http://en.wikipedia.org/wiki/Gottfried_Wilhelm_Leibniz Leibniz]
1.Secret peeled,Two eyes use a glare 2.Eyelashes & eye greatly opened 3.Bad feel which sits down on glasses.


4、大きく開いた両手が            5、しかめっ面が座る人           6、歪んだ笑みを浮かべ<br />  「拒否」の意思表示              にためらいを与える              ているような表情        
4.Both hands open,Intention to "refuse" 5.Hesitate to give the man who sit grimace 6.Expression of scornful laugh




[http://yumenikki.wikia.com/wiki/Madotsuki(name)#Madotsuki.28THE_MONADOLOGY.29 5 Madotsuki(THE MONADOLOGY)]


==[[Number_World#The_Stairway|The Stairway]]([http://en.wikipedia.org/wiki/Diyu Diyu])==
The [http://www.rbjones.com/rbjpub/philos/classics/leibniz/monad.htm#1 <u>Monad</u>]s have no [http://www.rbjones.com/rbjpub/philos/classics/leibniz/monad.htm#7 <u>window</u>]s, through which anything could come in or go out.


[http://ja.wikipedia.org/wiki/%E5%9C%B0%E7%8D%84_(%E4%BB%8F%E6%95%99)#.E6.A6.82.E8.AA.AC <u>1 概説</u>] [http://ja.wikipedia.org/wiki/%E5%9C%B0%E7%8D%84_(%E4%BB%8F%E6%95%99)#.E5.9C.B0.E7.8D.84.E3.81.AE.E8.89.B2 <u>1.1 地獄の色</u>]
by [http://en.wikipedia.org/wiki/Gottfried_Wilhelm_Leibniz Goottfried Wilhelm Leibniz ]translated by [http://www.rbjones.com/rbjpub/philos/classics/leibniz/monad.htm Robert Latta]


東アジアの仏教では、地獄の色は[http://ja.wikipedia.org/wiki/%E9%81%93%E6%95%99 <u>道教</u>]的に、あるいはその影響を受けた[http://ja.wikipedia.org/wiki/%E9%99%B0%E9%99%BD%E9%81%93 <u>陰陽道</u>]的に「[http://ja.wikipedia.org/wiki/%E9%BB%92 <u></u>]」で表す。
==[[Yume Nikki:Wheelies|Wheelies(Number World)]]([http://en.wikipedia.org/wiki/Tar%C5%8D_Okamoto Tarō Okamoto])==
Tarō Okamoto <span style="font-weight: normal;">(岡本 太郎<span class="t_nihongo_comma" style="display: none;">,</span> ''Okamoto Tarō''<sup>[http://en.wikipedia.org/wiki/Help:Installing_Japanese_character_sets <span class="t_nihongo_icon" style="font: bold 80%/normal sans-serif; padding: 0px 0.1em; color: rgb(0, 0, 238); text-decoration: none; font-size-adjust: none; font-stretch: normal;"><u>?</u></span>]</sup>, February 26, 1911 – January 7, 1996)</span> was a Japanese artist noted for his abstract and [http://en.wikipedia.org/wiki/Avant-garde <u>avant-garde</u>] paintings and sculpture.
[[File:Wheelies_(Number_World).png|link=http://yumenikki.wikia.com/wiki/List_of_Characters|frame|Wheelies(Number World)]]


At the Buddhism of East Asia, an infernal color is expressed with "black" to a Taoism target or the Yin Yang philosophy target which was subject to the influence.
[http://ja.wikipedia.org/wiki/%E5%B2%A1%E6%9C%AC%E5%A4%AA%E9%83%8E#.E4.B8.BB.E3.81.AA.E4.BD.9C.E5.93.81 <u>4 主な作品</u>] [http://ja.wikipedia.org/wiki/%E5%B2%A1%E6%9C%AC%E5%A4%AA%E9%83%8E#.E7.AB.8B.E4.BD.93.E4.BD.9C.E5.93.81 <u>4.2 立体作品</u>]


餓鬼は[http://ja.wikipedia.org/wiki/%E8%B5%A4 <u>赤</u>]、畜生は[http://ja.wikipedia.org/wiki/%E9%BB%84%E8%89%B2 <u>黄</u>]、修羅は[http://ja.wikipedia.org/wiki/%E9%9D%92 <u>青</u>]、この三色を混ぜると地獄の黒になると言われる。


A red brat, a yellow beast, the blue favorable realms of bellicose spirits.<br />If these 3 colors are mixed, it will be said that it becomes infernal black.


また、[http://ja.wikipedia.org/wiki/%E7%AF%80%E5%88%86 <u>節分</u>]で追われる赤鬼、黄鬼、青鬼はここから来ている。
岡本太郎『坐る事を拒否する椅子』([http://ja.wikipedia.org/wiki/%E9%99%B6%E5%99%A8 <u>陶器</u>]、[http://ja.wikipedia.org/wiki/1963%E5%B9%B4 <u>1963年</u>])


Moreover, the red devil, yellow devil, and the blue devil who are ousted on the eve of the beginning of spring are coming from here.
Okamoto Tarō "Chair refused to sit" (Ware, 1963)


[[File:Kyukyu.png|link=http://yumenikki.wikia.com/wiki/KyuuKyuu-kun|frame|left|A "red" brat, a "yellow" beast, the "blue" favorable realms of bellicose spirits.If these 3 colors are mixed, it will be said that it becomes infernal "black". ]]
http://media.excite.co.jp/ism/097/01okamoto1.html




椅子が人間と「対等」に振る舞う


Chair act on an equal footing with man


『坐ることを拒否する椅子』の座面は、座られることをよしとしない表情と突出した硬い造りになっていて精神的にも肉体的にも人間に抵抗感を与える。


Bearing surface of the "chair refused to sit" gives a sense of resistance to the human both mentally and physically they become brick hard that protrudes expression and does not good to be sitting.


物を人間と対等に捉えた太郎は、椅子と人間の感情の対峙を図ったのだ。<br />ここでは岡本太郎記念館で展示中の6種類を解説。


Taro was caught on an equal footing with human things, he was the face of human emotions and Haka~tsu chair.
Here describes the six types of Taro Okamoto Memorial Museum Exhibition.


[[File:坐ることを拒否する椅子2.png|link=http://media.excite.co.jp/ism/097/01okamoto3.html|frame|left|岡本太郎『坐る事を拒否する椅子』(1963年)]]


1、ギョロリとした2つの            2、大きく見開かれた眼と           3、眼鏡の上に着座する<br />  眼が睨みをきかせる              まつ毛を彷彿させる              抵抗感を生じさせる     
1.Secret peeled,Two eyes use a glare 2.Eyelashes & eye greatly opened 3.Bad feel which sits down on glasses.


 
4、大きく開いた両手が            5、しかめっ面が座る人           6、歪んだ笑みを浮かべ<br />  「拒否」の意思表示              にためらいを与える              ているような表情        
 
4.Both hands open,Intention to "refuse" 5.Hesitate to give the man who sit grimace 6.Expression of scornful laugh
 
[[Category:Yume Nikki theoretical discussions by Mt.kiki]]
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
[[File:IB_299_4to_Tyr.jpg|thumb|18世紀のアイスランドの写本『ÍB 299 4to』に描かれたテュール。]]
==[[KyuuKyuu-kun]]([http://en.wikipedia.org/wiki/T%C3%BDr Týr])==
時代、地方によれば「身体障害者には不思議な力が宿る」とされたこともあり、[http://ja.wikipedia.org/wiki/%E9%9A%BB%E7%9C%BC <u>隻眼</u>]の神などがいるがあまり四肢の欠損した神などが登場することは少ない。しかし、腕の喪失はなんらかの力の喪失として語られることがある。腕とともに力を失った例として、[http://ja.wikipedia.org/wiki/%E5%8C%97%E6%AC%A7%E7%A5%9E%E8%A9%B1 <u>北欧神話</u>]の[http://ja.wikipedia.org/wiki/%E3%83%86%E3%83%A5%E3%83%BC%E3%83%AB <u>テュール</u>]がいる。伝承によれば、神々の間ではテュールの右手にかけて約束をする習慣があったというが、彼の右腕喪失とともに約束を守るという拘束力が弱まったというのである。
 
 
 
 
 
 
 
 
 
[[File:Baluster_(PSF).png|thumb|120px|A baluster — also called spindle or stair stick]][[File:KyuuKyuu-kun.png|thumb|60px|KyuuKyuu-kun looks Pomegranate color.]]
==[[KyuuKyuu-kun]]([http://en.wikipedia.org/wiki/Baluster Baluster])==
 
A '''baluster''' — also called '''spindle''' or '''stair stick''' — is a moulded shaft, square or of [http://en.wikipedia.org/wiki/Lathe <u>lathe</u>]-turned form, one of various forms of [http://en.wikipedia.org/wiki/Spindle_(furniture) <u>spindle in woodwork</u>], made of stone or wood and sometimes of metal,<sup class="reference" id="cite_ref-1">[http://en.wikipedia.org/wiki/Baluster#cite_note-1 <u>[1</u>]]</sup> standing on a unifying footing, and supporting the [http://en.wikipedia.org/wiki/Coping_(architecture) <u>coping</u>] of a [http://en.wikipedia.org/wiki/Parapet <u>parapet</u>] or the [http://en.wikipedia.org/wiki/Handrail <u>handrail</u>] of a [http://en.wikipedia.org/wiki/Stairway <u>staircase</u>]. Multiplied in this way, they form a '''balustrade'''.<sup class="reference" id="cite_ref-2">[http://en.wikipedia.org/wiki/Baluster#cite_note-2 <u>[2</u>]]</sup> Individually, a '''baluster shaft''' may describe the turned form taken by a brass or silver candlestick, an upright furniture support, or the stem of a brass chandelier, etc.
 
http://en.wikipedia.org/wiki/Baluster
 
[[File:Illustration_Punica_granatum.jpg|thumb|left|Swelling form of the half-open flower of Punica granatum, in Italian balaustra (see etymology above)]]手すり子またはバラスター(baluster)は、共通の基礎の上に立ち、[http://ja.wikipedia.org/wiki/%E9%9A%8E%E6%AE%B5 <u>階段</u>]などの[http://ja.wikipedia.org/wiki/%E6%89%8B%E6%91%BA <u>手すり</u>]や[http://ja.wikipedia.org/wiki/%E6%AC%84%E5%B9%B2 <u>欄干</u>]の笠木(手でつかむ横板状の部分)を支持する柱状の装飾的構造で、角柱、円柱、[http://ja.wikipedia.org/wiki/%E5%9B%9E%E8%BB%A2%E4%BD%93 <u>回転体</u>]などの形状があり、石や木材、時には金属でできている<sup class="reference" id="cite_ref-0">[http://ja.wikipedia.org/wiki/%E6%89%8B%E3%81%99%E3%82%8A%E5%AD%90#cite_note-0 <u>[1</u>]]</sup>。"baluster" は[http://ja.wikipedia.org/wiki/%E3%82%AA%E3%83%83%E3%82%AF%E3%82%B9%E3%83%95%E3%82%A9%E3%83%BC%E3%83%89%E8%8B%B1%E8%AA%9E%E8%BE%9E%E5%85%B8 <u>OED</u>]によると「石榴の花」を意味する balaustra に由来し、半分開きかけた蕾に形状が似ているためにそのように名付けられたという<sup class="reference" id="cite_ref-1">[http://ja.wikipedia.org/wiki/%E6%89%8B%E3%81%99%E3%82%8A%E5%AD%90#cite_note-1 <u>[2</u>]]</sup>。手すり子が複数並んだ欄干を英語では "balustrade" と呼ぶ<sup class="reference" id="cite_ref-2">[http://ja.wikipedia.org/wiki/%E6%89%8B%E3%81%99%E3%82%8A%E5%AD%90#cite_note-2 <u>[3</u>]]</sup>。以降で欄干と言っているのは全て手すり子を使った "balustrade" である。家具の足、シャンデリアの真鍮製の軸、銀の燭台など、回転体の形状の装飾を "baluster shaft" と呼ぶこともある。
 
http://ja.wikipedia.org/wiki/%E6%89%8B%E3%81%99%E3%82%8A%E5%AD%90
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
[[File:FACE.gif|thumb|FACE (Known as 赤の王様 "the Red King" in Japanese)]]
==[[FACE]]([http://en.wikipedia.org/wiki/Louis_Wain Louis Wain])==
Louis Wain (5 August 1860 – 4 July 1939) was an English [http://en.wikipedia.org/wiki/Artist <u>artist</u>] best known for his drawings, which consistently featured [http://en.wikipedia.org/wiki/Anthropomorphism <u>anthropomorphised</u>] large-eyed [http://en.wikipedia.org/wiki/Cat <u>cats</u>] and kittens. In his later years he may have suffered from [http://en.wikipedia.org/wiki/Schizophrenia <u>schizophrenia</u>] (although [http://en.wikipedia.org/wiki/Louis_Wain#Mental_disorder <u>this claim is disputed</u>]), which, according to some [http://en.wikipedia.org/wiki/Psychologist <u>psychologists</u>]<sup class="Template-Fact" style="white-space: nowrap;">[''[http://en.wikipedia.org/wiki/Wikipedia:Citation_needed <u>citation needed</u>]'']</sup>, can be seen in his works.
[[File:Louis_wain_cats.png|thumb|left|Louis wain cats]]
[[File:CatMado.png|thumb|Cat(Madotsuki) ]]The British artist Louis Wain was a highly successful illustrator whose reputation was made on his singular and gently humorous pictures of cats. A cat-lover himself and sometime President of The National Cat Club, Wain claimed in an interview in 1896 that his "fanciful cat creations" were first suggested to him by Peter, his black & white cat. Demand for Wain's work diminished in the decade after the outbreak of the First World War, leaving him progressively impoverished. He began to show signs of mental disorder, including becoming aggressive, abusive and sometimes violent.<br />In 1924 he was certified insane and placed in the paupers ward of Springfield Hospital at Tooting. Despite his delusional state, Wain continued to draw and paint, which led a year later to him being recognised by one of the hospital guardians and transferred to a private room at the Royal Bethlem Hospital in Southwark, with money raised through public appeal.
http://www.outsiderart.co.uk/wain.htm
 
 
 
 
[[File:Lampworld.jpg|thumb|The Lamp World(電燈の世界)]]
==[[Number_World#The_Lamp_World|The Lamp World]]([http://en.wikipedia.org/wiki/Kenji_Miyazawa Kenji Miyazawa])==
[http://ja.wikipedia.org/wiki/%E6%98%A5%E3%81%A8%E4%BF%AE%E7%BE%85#.E8.A9.A9.E3.80.8C.E6.98.A5.E3.81.A8.E4.BF.AE.E7.BE.85.E3.80.8D <u>1 詩「春と修羅」</u>] (1 Poem"Spring and Shura")
 
詩集では制作日として「1922.4.8」という注記がある(賢治の場合、発表までの間に何度も書き直しを行う場合がほとんどであるため、第一稿を着想ないしは執筆した日付と考えられている)。また、タイトルに"mental sketch modified"という副題が付されている。なお、本詩集中の「青い槍の葉」「[http://ja.wikipedia.org/wiki/%E5%8E%9F%E4%BD%93%E5%89%A3%E8%88%9E%E9%80%A3 <u>原体剣舞連</u>]」にも同じ副題が付いている。
 
※Easter therefore varies between 22 March and 25 April.
[[File:紫煙のゆらぎ・宮澤賢治作詩集春と修羅.jpg|thumb|宮沢賢治『春と修羅 - 心象スケッチ』"Spring and Ashura - mental sketch modified"(1924.4.20)]]
 
[http://ja.wikipedia.org/wiki/%E6%98%A5%E3%81%A8%E4%BF%AE%E7%BE%85#.E8.A9.A9.E9.9B.86.E3.80.8E.E6.98.A5.E3.81.A8.E4.BF.AE.E7.BE.85.E3.80.8F.EF.BC.88.E7.AC.AC.E4.B8.80.E9.9B.86.EF.BC.89 <u>2 詩集『春と修羅』(第一集)</u>] (2 Anthology Spring and Shura)
 
上記作品を含めた69編の作品と、「序」(これを作品と見なすと70編)からなる詩集。1922~23年に制作された作品が収録されている。 [http://ja.wikipedia.org/wiki/1924%E5%B9%B4 <u>1924年</u>]4月20日、東京の関根書店から刊行。ただし事実上は賢治の自費出版である(実際の印刷は賢治の住んでいた[http://ja.wikipedia.org/wiki/%E8%8A%B1%E5%B7%BB%E5%B8%82 <u>花巻</u>]の印刷所で行われた)。正確なタイトルは『心象スケッチ 春と修羅』で、賢治自身は「詩集」と呼ばれることを好まなかった。
http://why.kenji.ne.jp/haruto/sinla4.html
[[File:Lamp222.png|thumb|電燈(でんとう)]]
 
わたくしといふ現象は<br />假定された有機交流電燈の<br />ひとつの青い照明です<br />(あらゆる透明な幽霊の複合体)<br />風景やみんなといっしょに<br />せはしくせはしく明滅しながら<br />いかにもたしかにともりつづける<br />因果交流電燈の<br />ひとつの青い照明です<br />(ひかりはたもち、その電燈は失はれ)
 
 
http://why.kenji.ne.jp/haruto/100jo.html
 
宮沢賢治の「Spring and Ashura」ですね。私も最も好きな詩編の一つです。この部分はスタンザ冒頭、
 
The phenomenon called I<br />Is a single green illumination<br />Of a presupposed organic alternating current lamp
 
です。これに続くのが
 
(a composite body of each and every transparent spectre)<br />The single illumination<br />Of karma's alternating current lamp<br />Remains alight without fail<br />Flickering unceasingly, restlessly<br />Together with the sights of the land and all else<br />(the light is preserved... the lamp itself is lost)
 
ですね。さらにスタンザは<br />These poems are a mental sketch as formed<br />Passage by passage of light and shade<br />Maintained and preserved to this point<br />Brought together in paper and mineral ink<br />From the directions sensed as past<br />For these twenty-two months<br />(the totality flickers in time with me<br />all sensing all that I sense coincidentally
 
となります。どこかにお気に入りのものがあれば。
 
http://detail.chiebukuro.yahoo.co.jp/qa/question_detail/q1019623720
 
 
 
Theory of 「Spring and Ashura」
 
http://homepage2.nifty.com/nisen-nibyo/kenji/kenji_02.html
 
 
 
[[File:Bedroom.jpg|thumb|Killed Bird in The Bed Room.]]
==The Bed Room([http://en.wikipedia.org/wiki/Naraka_(Buddhism) Naraka (Buddhism)])==
[http://ja.wikipedia.org/wiki/%E5%85%AB%E5%A4%A7%E5%9C%B0%E7%8D%84#.E6.A7.8B.E6.88.90 <u>1 構成</u>] [http://ja.wikipedia.org/wiki/%E5%85%AB%E5%A4%A7%E5%9C%B0%E7%8D%84#.E6.AD.A3.E6.B3.95.E5.BF.B5.E5.87.A6.E7.B5.8C <u>1.3 正法念処経</u>]
 
八熱地獄に付随する十六の小地獄があるとし、また各々の種別を挙げる。八熱地獄の4面に4門があり、門外に各4つの小地獄があり、これを合して[http://ja.wikipedia.org/wiki/%E5%8D%81%E5%85%AD%E5%B0%8F%E5%9C%B0%E7%8D%84 <u>十六小地獄</u>](十六遊増地獄、四門地獄、副地獄)という。八熱地獄と合せば百三十六地獄となる。小地獄は中央の八熱地獄の亡者(衆生)が迷い込む他、中央の地獄に落ちる条件の中でもさらに細かい条件に合ったものが落ち、例えば殺生をしたものが落ちる「等活地獄」の小地獄の場合、
 
'''「鳥や鹿を殺した者」「生前に勝手気ままに殺生をした者」などといった条件を備えた小地獄があり、その内容も各地獄によって異なる。'''
 
'''There is small hell equipped with conditions, such as "those who killed the bird and the deer", and "those etc. who destroyed life freely willfully to the lifetime", and the contents also change with every place prisons.'''
 
十六小地獄の別名の一つ「四門地獄」の場合、小地獄は四種類しかなく、各門一つにつき全種類並んでおり、それが四方にあって4×4の十六個であるという。その内容は、
 
[[File:Mini-Hell.png|thumb|1.膝まで没するような熱灰の中を歩かされる「トウ(火+唐)煨増(とういぞう)」]]
#膝まで没するような熱灰の中を歩かされる「トウ(火+唐)煨増(とういぞう)」
#糞尿と泥の河に沈められ、そこに巣食う虫たちに喰われる「屍糞増(しふんぞう)」
#無数の剣が刃を立てて並ぶ道・刀刃路、刃の葉を持つ林・剣葉林、無数の剣が生えた木を登り降りさせられる・鉄刺林、これらを備えた「鋒刃増(ほうじんぞう)」
#沸騰した灰水の河に落とされる「烈河増(れっかぞう)」
といわれている。
 
八寒地獄にもそれぞれ十六小地獄があると言われているが、具体的な内容は伝わっていない。
[[Category:Name]]

Latest revision as of 00:27, 12 April 2024

Number World(Red Evil Eye Door)
















The Evil Eye Door(Evil eye)

Red Evil Eye Door(One Reg & Hand)

The evil eye is a look that is believed by many cultures to be able to cause injury or bad luck for the person at whom it is directed for reasons of envy or dislike.[1] [2]The term also refers to the power attributed to certain persons of inflicting injury or bad luck by such an envious or ill-wishing look. The evil eye is usually given to others who remain unaware.[3]


Ruby Eye Pendant.jpg

4 Protective talismans and cures

A Ruby Eye Pendant from an ancient civilization in Mesopotamia was possibly used as amulet to protect against evil eyes. Adilnor Collection.

The Evil Eye Door(隻眼)

3 神話・伝説の中の隻眼 (3 One-eye in the legend, myth)


隻眼(せきがん)もしくは独眼(どくがん)とは、片側のそのものや視力失った身体障害の状態をいう。

隻眼(seki-gan) or 独眼(doku-gan) is, refers to a state of disability that has lost sight of the eye itself and one side.



3.1 形態(3.1 Form)

Forest World(隻眼)

隻眼は、字義的には本来二つあるべき目のうちの片方が失われたか、または存在しない左右非対称な形象であるが、一部においては顔の真ん中に(単眼症のように)一つだけ目が存在すると表現されることもある(キュクロープスなど)。

Sekigan, which is a shape asymmetrical non-existent one of the eye should be two original is lost or is literally (as in cyclopia) in some one in the middle of the face eyes may be expressed only exists (such as Cyclops).


1 Points of Interest

The Triangle Kerchief effect is received here, by catching The Fleeing Ghost. →隻眼(seki-gan)


3.3 起源 (3.3 Origin)

ケルト神話の神ルーは戦時中片目だけを開き(これは英雄クー・フーリンも同じ。またルーの祖父は片目が邪眼だった)、一本脚で戦士たちを鼓舞したが、ヌァザは戦争中片腕を切断された。ケルトの事例については邪眼との関連が強いことから、戦闘時の呪術に関係するものだという説も提出されている (Jacqueline Borsje, 'The Evil Eye' in early Irish literature and law) 。

(One eye was evil eyes this grandfather Lou is also. Same Khoo Fuling hero), but to inspire warriors in leg one, Lou gods Celtic Nu~aza during the war only open one eye during the war I was cut off an arm. Association with the evil eye from stronger, have also been submitted relating to the theory that something magic in combat for the case of Celtic (Jacqueline Borsje, 'The Evil Eye' in early Irish literature and law).


1 The Evil Eye Door(Evil eye)

A Ruby Eye Pendant from an ancient civilization in Mesopotamia was possibly used as amulet to protect against evil eyes.


3.3 起源 (3.3 Origin)

北欧神話が所属するインド・ヨーロッパ語族の伝承については、ジョルジュ・デュメジルが彼の三機能仮説における第一機能との関連を主張した。明確な理由は不明だが、第一機能(呪術的主権・司法的主権の二項対立がある)のうち一方は片目がなく、もう一方は片腕がない、というものである。

For Indo-European tradition that belongs to Norse mythology, Georges Dumezil has claimed the first function in the context of his three feature hypothesis. Obvious reason is unknown, but is one of those (there is a dichotomy of sovereignty and judicial sovereignty magical) function does not have a first one eye, one that there is no other arm.


5 Number World(Magic number (programming))

there is a dichotomy of sovereignty and judicial sovereignty magical(隻眼)→Magic number (programming)?


3.3 起源 (3.3 Origin)

つまり隻腕ならびに一本足が、この場合では隻眼、隻腕の組み合わせになっている。たとえばオーディンは片目がないが、テュールは片腕がない(フェンリル狼に食いちぎられた)。

KyuuKyuu-kun(Tyr)

One leg, but in this case is a combination Sekigan, namely the one-armed and one-armed. Odin has one eye is not, for example, is Týr (which was bitten off by the wolf Fenrir) there is no arm.


3 KyuuKyuu-kun(Týr)

KyuuKyuu-kun(some loss of arm strength?) and Number World Door is only Right arm.

Crick in the Neck(隻眼)

3.3 起源(3.3 Origin)

Crick in the Neck(隻眼)

学術的な観点からもいくつかの説が唱えられている。日本だけに限れば、柳田國男は、Several theories have been cast from an academic point of view. Be limited to Japan, "Kunio Yanagida",

"Madotsuki" is a one-eyed look from the front.

もともと神に捧げるべき生け贄の人間が逃亡しないように片目(と片脚)を傷つけていたのが神格と同一視されるようになったのが原因であると考えた(『一つ目小僧その他』)。

the cause had been hurt in one eye (one leg) and have that came to be identified with the deity of human sacrifice to be dedicated to God originally to prevent the escape it was considered to be (and so "one-eyed boys")


1 Gameplay Events

Description: Occasionally, when Madotsuki gets out of bed she will have a 'crick' in her neck, causing her head to be constantly turned to the left.

※"Madotsuki" is a one-eyed(隻眼?) look from the front.

Chuck Man(隻眼)

Chuck_Man(Odd_Eye)

3.3 起源(3.3 Origin)

ほかにも隻眼は男根の象徴であるとする説(民俗学者アラン・ダンデスのWet and Dry,the Evil Eyeや堀田吉雄『山の神の研究』など)、太陽の象徴であるとする説(古典学者アーサー・バーナード・クックのZeusvol.2やその追随者たち)など多くの仮説が存在するが、いずれも決定的なものではない。

In addition to the theory (such as Wet and Dry Alan Dandesu folklorist, "Study of the mountain god" Yoshio Hotta and the Evil Eye) theory that is a symbol of phallic, and is a symbol of the sun Sekigan Arthur classical scholar (hypothesis, and much more) and that his followers Zeusvol.2 Bernard Cook exists but is not critical either.

Chuck Man(Zipper)

A zipper, zip, or zip fastener, is a commonly used device for binding the edges of an opening of fabric or other flexible material, as on a garment or a bag.[1]

Zippers may

  • increase or decrease the size of an opening to allow or restrict the passage of objects, as in the fly of trousers or in a pocket.


Chuck Man(Zipper)

4 Chuck Man(隻眼)

In addition to the theory (such as Wet and Dry Alan Dandesu folklorist, "Study of the mountain god" Yoshio Hotta and the Evil Eye) theory that is a symbol of phallic.

※Chuck Man is A man wearing trousers→theory that is a symbol of phallic(隻眼)


Number World(勇者)

Number World(ああああ)

3 ファンタジーにおける勇者

コンピューターゲームにおいては主人公の名前などをプレイヤー自身で設定できるようになっているものも多い反面、適当に命名するプレイヤーもそれなりにおり、名前入力画面でカーソルの初期設定位置にある「あ」を連続で入力した「ああああ」という名前がコンピューターゲームの勇者の名前としてパロディ・オマージュ的に引き合いに出されることがある(『魔法陣グルグル』『勇者のくせになまいきだ。』など)。


While there is much what can set up a hero's name etc. now for player itself in a computer game, The name which inputted continuously "あ" where the player named suitably is also as it is, and which has it in the initial setting position of a cursor on a name input screen may be referred to in parody hommage as a name of a computer game.

Number World(Magic number (programming))

In computer programming, the term magic number has multiple meanings.

Number World(Magic Number)

Unique values with unexplained meaning or multiple occurrences which could (preferably) be replaced with named constants


FC World C is a part of the FC world.

File:FC World C (Magic Number) by marqueskart
FC World C (Magic Number) by marqueskart




Updated: 2013/02/18
"ゆめにっき   Yume Nikki   06 Famicom World" #0:30~0:55

Movie by marqueskart http://www.youtube.com/watch?v=eCWf8kbrg6k


Number World(Binary number)

Number World(Binary number)

In mathematics and computer science, the binary numeral system, or base-2 numeral system, represents numeric values using two symbols: typically 0 and 1.

1 History

The modern binary number system was discovered by Gottfried Leibniz in 1679. See his article:Explication de l'Arithmétique Binaire[9](1703).


Gottfried Wilhelm von Leibniz

1 Windmill World(THE MONADOLOGY)

In imagining that there is a machine whose construction would enable it to think, to sense, and to have perception, one could conceive it enlarged while retaining the same proportions, so that one could enter into it, just like into a windmill.

The thought experiment of the windmill by Leibniz


5 Madotsuki(THE MONADOLOGY)

The Monads have no windows, through which anything could come in or go out.

by Goottfried Wilhelm Leibniz translated by Robert Latta

Wheelies(Number World)(Tarō Okamoto)

Tarō Okamoto (岡本 太郎 Okamoto Tarō?, February 26, 1911 – January 7, 1996) was a Japanese artist noted for his abstract and avant-garde paintings and sculpture.

Wheelies(Number World)

4 主な作品 4.2 立体作品


岡本太郎『坐る事を拒否する椅子』(陶器1963年

Okamoto Tarō "Chair refused to sit" (Ware, 1963)

http://media.excite.co.jp/ism/097/01okamoto1.html


椅子が人間と「対等」に振る舞う

Chair act on an equal footing with man

『坐ることを拒否する椅子』の座面は、座られることをよしとしない表情と突出した硬い造りになっていて精神的にも肉体的にも人間に抵抗感を与える。

Bearing surface of the "chair refused to sit" gives a sense of resistance to the human both mentally and physically they become brick hard that protrudes expression and does not good to be sitting.

物を人間と対等に捉えた太郎は、椅子と人間の感情の対峙を図ったのだ。
ここでは岡本太郎記念館で展示中の6種類を解説。

Taro was caught on an equal footing with human things, he was the face of human emotions and Haka~tsu chair. Here describes the six types of Taro Okamoto Memorial Museum Exhibition.

岡本太郎『坐る事を拒否する椅子』(1963年)

1、ギョロリとした2つの            2、大きく見開かれた眼と           3、眼鏡の上に着座する
  眼が睨みをきかせる              まつ毛を彷彿させる              抵抗感を生じさせる      1.Secret peeled,Two eyes use a glare 2.Eyelashes & eye greatly opened 3.Bad feel which sits down on glasses.

4、大きく開いた両手が            5、しかめっ面が座る人           6、歪んだ笑みを浮かべ
  「拒否」の意思表示              にためらいを与える              ているような表情         4.Both hands open,Intention to "refuse" 5.Hesitate to give the man who sit grimace 6.Expression of scornful laugh