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User:WikiOdd/Sandbox: Difference between revisions

(magnum opus)
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===Yume Nikki Illumination-style movie (semi-trailer) script drafts===
===Yume Nikki Illumination-style movie (semi-trailer) script drafts===
This idea was conceived somewhere in early 2023 and the first drafts were made mid-2023. These were based on a conversation about a hypothetical ''Yume Nikki'' movie, but done as an animated family comedy film with typical crude or awkward/relatable humor, with the idea primarily likened to memes based on children's animated films or stereotypical "Illumination-style films" (for example, [https://www.youtube.com/watch?v=RfbEVieLekc this audio sketch based on the then-unreleased Super Mario movie]).
This idea was conceived somewhere in early 2023 and the first drafts were made mid-2023. These were based on a conversation about a hypothetical ''Yume Nikki'' movie, but done as an animated family comedy film with typical crude or awkward/relatable humor, with the idea primarily likened to memes based on children's animated films or stereotypical "Illumination-style films" (for example, [https://www.youtube.com/watch?v=RfbEVieLekc this audio sketch based on the then-unreleased Super Mario movie], which served as a primary inspiration to make any of this).


The first scripts were made by me on June 25th, 2023 and everything ranges from between that time and October 2023. The entire idea behind this was to make it as cringey as a kid's film could be and have extremely dumb trendy or goofy humor. During the time this concept has been around, a storyboard and fully-made script have been considered, but currently do not exist and would likely take a significant amount of time to make. Below is all the stuff from Notes that I had plus stuff that occasionally gets added whenever something comes to mind. It is largely just vague scenes, possible trailer cuts, and some extra notes, all listed in the order I believe they would play out in the hypothetical film, but here is everything:
The first scripts were made by me on June 25th, 2023 and everything ranges from between that time and October 2023. The initial idea behind this was to make it as cringey as a kid's film could be and have extremely dumb trendy or goofy humor, though later on, the idea was toned down a bit, though it still has the goal of being what a stereotypical "somewhat corny kid's film" would be. During the time this concept has been around, a trailer storyboard and fully-made script have been considered, but currently do not exist and would likely take a significant amount of time to make (though I'm leaning towards possibly expanding on the latter option because it would be both stupid and fun). Below is all the stuff from Notes that I had plus stuff that occasionally gets added whenever something comes to mind. It is largely just vague scenes, possible trailer cuts, and some extra notes, all listed in the order I believe they would play out in the hypothetical film, but here is everything:


   '''Stupid movie trailer concept based on Yume Nikki hypothetically directed by Illumination. Typical crude + awkward humor = funny type stuff.'''
   '''Stupid movie trailer concept based on Yume Nikki hypothetically directed by Illumination. Typical crude + awkward humor = funny type stuff.'''
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   > Cut to outside shot of Poniko's House.
   > Cut to an outside shot of Poniko's House.
   '''Mado''': Um, excuse me...but who the heck are you?
   '''Mado''': Um, excuse me...but who the heck are you?
   '''Poniko''': I'm a girl with a curse, locked away in this little room in the middle of a vast ocean...
   '''Poniko''': I'm a girl with a curse, locked away in this little room in the middle of a vast ocean...
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   > Poniko undoes a tie in her hair and it flows out all over the place. A majestic light emits from behind her as a heavenly chorus sings.
   > Poniko undoes a tie in her hair and it flows out all over the place. A majestic light emits from behind her as a heavenly chorus sings.
   > Mado looks on with sparkling, open eyes before closing them again and saying:
   > Mado looks on with sparkling, open eyes before closing them again and saying:
   '''Mado''': Eh, I kind of like it better in a ponytail.
   '''Mado''': Eh, looks lame. I kind of like it better in a ponytail.
    
    
    
    
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   > He turns back towards the keyboard and it is a cluttered mess of buttons, levers, piano keys, and flashing lights.
   > He turns back towards the keyboard and it is a cluttered mess of buttons, levers, piano keys, and flashing lights.
   '''Masada''': What about... (he presses a random button on the control panel)
   '''Masada''': What about... (he presses a random button on the control panel)
   '''Control Panel''': ACCELERATING ACTIVATED
   '''Control Panel''': ACCELERATION ACTIVATED
   '''Masada''': GOSH DARNIT!
   '''Masada''': GOSH DARNIT!
   > The ship speeds up its crash landing as everybody goes flying to the back wall of the ship before they hit Mars.
   > The ship speeds up its crash landing as everybody goes flying to the back wall of the ship before they hit Mars.
    
    
    
    
   > Shows a POV shot from the Neon Tile Path, facing the connection to Neon World. The beginning of PSY's "Gangnam Style" can be heard coming from Neon World.
   > Shows a POV shot from the Neon Tile Path, facing the connection to Neon World. The beginning of PSY's "Gangnam Style", slightly muffled, can be heard coming from Neon World.
   > Next shot is of Mado, Poniko, and Masada entering Neon World followed by an above shot of the world with everyone dancing like it's a rave. Gangnam Style is now fully playing.
   > Next shot is of Mado, Poniko, and Masada entering Neon World followed by an above shot of the world with everyone dancing like it's a rave. Gangnam Style is now fully playing.
   '''Mado''': This party is so...
   '''Mado''': This party is so...
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   > Mado, Poniko, and Masada all enter Guillotine World, which is shown to be a large city solely populated by Toriningen (which are only referred to as "bird people" throughout the whole film).
   > Mado, Poniko, and Masada all enter Guillotine World, which is shown to be a large city solely populated by Toriningen (who are only referred to as "bird people" throughout the whole film).
   '''Mado''': Oh no, not here...these bird people are kinda... (swirls finger around the side of her head while making coocoo noises)
   '''Mado''': Oh no, not here...these bird people are kinda... (swirls finger around the side of her head while making coocoo noises)
   '''Masada''': Relaaax, guys! You've just got to act natural.
   '''Masada''': Relaaax, guys! You've just got to act natural.
   > It is silent for a moment before Masada starts "acting natural" around the Toriningen, putting his arms on his sides and pecking at the ground like a bird/chicken while squawking loudly.
   > It is silent for a moment before Masada starts "acting natural" around the Toriningen, putting his arms on his sides and pecking at the ground like a bird/chicken while squawking loudly.
   > This only alerts the Toriningen, who all turn towards the trio menacingly as their eyes glow pink.
   > This only alerts the Toriningen, who all swiftly turn their heads towards the trio menacingly as their eyes glow fully pink, all sporting angry expressions.
   '''Masada''': (he nervously gulps) Well, that didn't work...
   '''Masada''': (he nervously gulps and scratches the back of his head) Well, that didn't work...
   '''Poniko''': RUN!
   '''Poniko''': RUN!
  > Poniko grabs onto Madotsuki and they both run as Masada trails behind, flailing his arms in the air while screaming.
  > Epic and dramatic chase scene ensues.
  > The trio escapes the large crowd of Toriningen by ducking into an alley and hiding behind a closet. They all wipe their brow and let out a breath of relief in unison.
  '''Mado''': Now THAT was a close one...
  '''Poniko''': Masada...you're an idiot. Why did you even TRY that?
  '''Masada''': Hey! I worked really hard on that impression!
  > The closet behind them suddenly opens up, revealing a Closet Creature inside, who swipes them up and takes them inside. The scene cuts to black.
    
    
    
    
   '''Additional vague plot structure''':
   '''Additional vague plot structure''':
   Madotsuki goes to her dream world and meets Poniko and the two of them then meet Masada. They follow Masada around, even though Masada encourages them to leave him alone, but they are all seen by Mars-san, who is Masada's boss. Mars-san is the antagonist of the film and acts sort of as a tyrannical boss/king-like figure.<br/>Mars-san does not take kindly to Masada leading normal humans into his dream realm, so he sentences them up for execution.<br/>The three plead and Madotsuki makes a deal with Mars-san: if the three of them can return to Mars-san with the 24 effects found throughout the dream world after 3 days, then they get to live.<br/>The film follows the three of them embarking on their quest for the effects, entering dangerous dream worlds and meeting strange scenarios.
   Madotsuki goes to her dream world and meets Poniko and the two of them then meet Masada. They follow Masada around, even though Masada encourages them to leave him alone, but they are all seen by Mars-san, who is Masada's boss. Mars-san is the antagonist of the film and acts sort of as a tyrannical boss/king-like figure.<br/>Mars-san does not take kindly to Masada leading normal humans into his dream realm, so he sentences them up for execution.<br/>The three plead and Madotsuki makes a deal with Mars-san: if the three of them can return to Mars-san with the 24 effects found throughout the dream world after 3 days, then they get to live and are allowed to wander the dream world as they please.<br/>The film follows the three of them embarking on their quest for the effects, entering dangerous dream worlds and meeting strange characters in even weirder scenarios.
    
    
    
    
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   '''SUPPORTING CHARACTERS'''
   '''SUPPORTING CHARACTERS'''
 
  '''Mars-san'''
  The main antagonist of the film and acts as a king/boss-like figure for the dream world. Doesn't take kindly to humans like Madotsuki and blames Masada for leading her to his chambers.<br/>Sets up the adventure that the trio must go on. He leads an army of other dream denizens who attempt to stop the trio's quest and has all-seeing vision to view their progress.
    
    
   '''Monoe'''
   '''Monoe'''
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   '''Monoko'''
   '''Monoko'''
   Tags along right behind Monoe, even though not as popular and pretty dimwitted compared to her. She cheers her on and essentially just supports her while backing off White Desert paparazzi.
   Tags along right behind Monoe, even though not as popular and pretty dimwitted compared to her. She cheers her on and essentially just supports her while backing off White Desert paparazzi.
 
  '''Boss Toriningen'''
  A special Toriningen inhabiting one of the tallest buildings within the Guillotine World city. Unlike a lot of the Toriningen, they're much more controlling of their lunatic side and run an office space that other dream denizens work in. A bit of a rebel towards Mars-san and makes a deal with the trio upon hearing their story, proposing to give them an effect in exchange for completing a task.
    
    
    
    
    
    
   Idk how I'm going to incorporate any of the other popular characters into this I would need to do actual heavy scriptwriting for this if I wanted to.
   Idk how I'm going to incorporate any of the other popular characters into this I would need to do actual heavy scriptwriting for this if I wanted to (I kinda do).


===dream===
===dream===

Revision as of 19:13, 10 September 2024

Welcome to my sandbox. This is where I'll put stuff when I'm experimenting with wiki assets, constructing new pages, or just doing trivial analytical things for fun.

Specific World Exploration

Documenting how the dream world can be explored under certain conditions and other various things related to the dream world. Click Expand to view contents.

Name Articles

The "Name" articles are a series of articles originally created by Mt.kiki on the old Yume Nikki Wiki. These pages list various theories relating to Yume Nikki and possible design inspirations for various aspects of the game. As the articles (likely) provide a Japanese point-of-view on the game's visuals and themes, they are likely to give better insight into possible design processes while creating Yume Nikki.

As the articles are either largely written in Japanese, have broken Google-Translated English, or are copy-pasted from other websites, I'd like to try and see if I could decode what each of the article's sections intends to communicate. This is also done to squeeze the contents of the articles into a smaller, usually multi-paragraph, state so that it can be read from a single section rather than an entire article.

Not all of the articles have currently been analyzed or translated, so this is still a work-in-progress section. Once one has been completed, an image will accompany the section.

Click Expand to view contents.

Article Construction

Construction and testing for article ideas or possible future articles. Stuff here may or may not appear in/as future articles. Heavy WIPs ahead.

Click Expand to view contents.

Yume Nikki Internal Stuff

Sorting through and observing internal stuff relating to the original Yume Nikki. Click Expand to view contents.

Fun

Stuff for fun, I guess. Click Expand to view contents.