The Style Guide has recently been rewritten. Please take a moment to review the new guidelines.
(→Fun) |
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=== | ===dream=== | ||
{| style="width: 100%;" cellspacing="0" cellpadding="4" border="1" | |||
|- | |||
| style="text-align: center;" |'''aaaaaaaaa''' | |||
| style="text-align: center;" |'''ooooooooo''' | |||
| style="text-align: center;" |'''.........''' | |||
|- | |||
|[[File:Oudn-noisy2new.ogg]] | |||
|[[File:Mask-rune.png]] | |||
|[[File:Neon1.gif|thumb|40px|n]] | |||
|- | |||
|[[File:Roninnozlo_Pi4_Rust.ogg]] | |||
|[[File:Mask-rune.png]] | |||
|[[File:Woah.png|thumb|60px|n]] | |||
|- | |||
|[[File:Bgm055.ogg]] | |||
|[[File:Star Ocean jellyfish.gif]] | |||
|[[File:Viridescent temple entrance.png|thumb|80px|n]][[File:Realistic Beach 2.png|thumb|80px|n]] | |||
|- | |||
|[[File:Drm kan ge doupicho01.ogg]] | |||
|[[File:Star Ocean jellyfish.gif]] | |||
|[[File:Yumenikkimarsstairs.png|thumb|50px|n]] | |||
|} | |||
<!-- | |||
????????????????????????????????????????????????????????????????????????????????????????????? 1:44 am | |||
{| style="width: 100%;" cellspacing="0" cellpadding="4" border="1" | |||
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| style="text-align: center;" |'''N''' | |||
| style="text-align: center;" |'''1''' | |||
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| style="text-align: center;" |'''27''' | |||
| style="text-align: center;" |'''28''' | |||
| style="text-align: center;" |'''29''' | |||
| style="text-align: center;" |'''30''' | |||
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! colspan="31"|DP | |||
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| | |7553 | ||
| | |style="background: #000000;"| | ||
| | |style="background: #000000;"| | ||
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|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
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|style="background: #000000;"| | |||
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|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
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Line 8,704: | Line 8,734: | ||
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|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
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Line 8,722: | Line 8,763: | ||
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! colspan="31"|8N | |||
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Line 8,744: | Line 8,813: | ||
|style="background: #000000;"| | |style="background: #000000;"| | ||
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Line 8,771: | Line 8,829: | ||
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|10565 | |||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
|- | |- | ||
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Line 8,836: | Line 8,893: | ||
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|style="background: #000000;"| | |||
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Line 8,862: | Line 8,925: | ||
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Line 8,903: | Line 8,957: | ||
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Line 8,923: | Line 8,973: | ||
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Line 8,932: | Line 8,984: | ||
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Line 8,955: | Line 8,989: | ||
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| | |style="background: #000000;"| | ||
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|- | |- | ||
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Line 8,996: | Line 9,021: | ||
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| | |1255 | ||
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| | |4127 | ||
| | |style="background: #000000;"| | ||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |style="background: #000000;"| | ||
|style="background: #000000;"| | |style="background: #000000;"| | ||
Line 9,013: | Line 9,038: | ||
|style="background: #000000;"| | |style="background: #000000;"| | ||
|- | |- | ||
| | ! colspan="31"|FF | ||
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|St | |||
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Line 9,022: | Line 9,049: | ||
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|9028 | |||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
|- | |||
|Fo | |||
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Line 9,028: | Line 9,079: | ||
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| | |1114 | ||
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|5596 | |||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |style="background: #000000;"| | ||
|style="background: #000000;"| | |style="background: #000000;"| | ||
|style="background: #000000;"| | |style="background: #000000;"| | ||
|- | |- | ||
| | |Yf | ||
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Line 9,054: | Line 9,113: | ||
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|2621 | |||
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Line 9,060: | Line 9,120: | ||
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Line 9,077: | Line 9,136: | ||
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|- | |- | ||
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Line 9,086: | Line 9,145: | ||
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|1376 | |||
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Line 9,092: | Line 9,152: | ||
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|2559 | |||
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|4106 | |||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
|- | |||
|Er | |||
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Line 9,108: | Line 9,174: | ||
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| | | | ||
|1151 | |||
| | | | ||
| | | | ||
Line 9,124: | Line 9,189: | ||
| | | | ||
| | | | ||
| | | | ||
|4796 | |||
| | | | ||
| | | | ||
| | |6383 | ||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
|- | |- | ||
| | |Fr | ||
| | |||
| | |||
| | | | ||
| | | | ||
Line 9,148: | Line 9,209: | ||
| | | | ||
| | | | ||
|2266 | |||
| | | | ||
| | | | ||
Line 9,156: | Line 9,218: | ||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
| | |4750 | ||
|style="background: #000000;"| | |style="background: #000000;"| | ||
|style="background: #000000;"| | |style="background: #000000;"| | ||
Line 9,170: | Line 9,231: | ||
|style="background: #000000;"| | |style="background: #000000;"| | ||
|style="background: #000000;"| | |style="background: #000000;"| | ||
|- | |||
|Pu | |||
|- | |||
| | |||
| | | | ||
| | | | ||
Line 9,184: | Line 9,241: | ||
| | | | ||
| | | | ||
| | |3389 | ||
| | | | ||
| | | | ||
Line 9,216: | Line 9,250: | ||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
|5140 | |||
| | | | ||
| | | | ||
| | |6311 | ||
|style="background: #000000;"| | |style="background: #000000;"| | ||
|style="background: #000000;"| | |style="background: #000000;"| | ||
Line 9,239: | Line 9,264: | ||
|style="background: #000000;"| | |style="background: #000000;"| | ||
|- | |- | ||
| | |Ma | ||
| | | | ||
| | | | ||
Line 9,248: | Line 9,273: | ||
| | | | ||
| | | | ||
| | |1395 | ||
| | | | ||
| | | | ||
Line 9,257: | Line 9,282: | ||
| | | | ||
| | | | ||
|6095 | |||
| | | | ||
| | | | ||
| | |10484 | ||
| | | | ||
|10769 | |||
| | | | ||
| | | | ||
| | | | ||
Line 9,271: | Line 9,296: | ||
| | | | ||
|- | |- | ||
| | ! colspan="31"|IC | ||
|- | |||
|Sp | |||
| | | | ||
| | | | ||
| | | | ||
|1514 | |||
| | | | ||
| | | | ||
Line 9,280: | Line 9,308: | ||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
|1561 | |||
| | | | ||
| | | | ||
|22845 | |||
| | | | ||
| | | | ||
| | |3283 | ||
| | |style="background: #000000;"| | ||
| | |style="background: #000000;"| | ||
| | |style="background: #000000;"| | ||
| | |style="background: #000000;"| | ||
| | |style="background: #000000;"| | ||
| | |style="background: #000000;"| | ||
| | |style="background: #000000;"| | ||
| | |style="background: #000000;"| | ||
| | |||
| | |||
|style="background: #000000;"| | |style="background: #000000;"| | ||
|style="background: #000000;"| | |style="background: #000000;"| | ||
|style="background: #000000;"| | |style="background: #000000;"| | ||
|- | |- | ||
| | |Br | ||
| | | | ||
| | | | ||
| | | | ||
|9168 | |||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
|- | |||
|Fj | |||
| | | | ||
| | | | ||
| | | | ||
| | |1485 | ||
| | | | ||
| | | | ||
Line 9,324: | Line 9,375: | ||
| | | | ||
| | | | ||
| | |10000 | ||
| | |style="background: #000000;"| | ||
| | |style="background: #000000;"| | ||
| | |style="background: #000000;"| | ||
| | |style="background: #000000;"| | ||
| | |style="background: #000000;"| | ||
| | |style="background: #000000;"| | ||
| | |style="background: #000000;"| | ||
| | |style="background: #000000;"| | ||
| | |style="background: #000000;"| | ||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
|- | |- | ||
| | |Bo | ||
| | | | ||
| | | | ||
| | | | ||
|684 | |||
| | | | ||
| | | | ||
Line 9,344: | Line 9,404: | ||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
|2791 | |||
| | | | ||
| | | | ||
|2592 | |||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
|2989 | |||
| | | | ||
| | | | ||
|4941 | |||
| | | | ||
| | |18858 | ||
| | |7769 | ||
|style="background: #000000;"| | |style="background: #000000;"| | ||
|style="background: #000000;"| | |style="background: #000000;"| | ||
|style="background: #000000;"| | |style="background: #000000;"| | ||
|- | |- | ||
| | |Ba | ||
| | | | ||
| | | | ||
| | | | ||
|711 | |||
| | | | ||
| | | | ||
Line 9,376: | Line 9,436: | ||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
|1182 | |||
| | | | ||
| | | | ||
|1802 | |||
| | | | ||
| | | | ||
| | | | ||
|4181 | |||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
| | |4949 | ||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
|- | |||
|Ge | |||
| | | | ||
| | | | ||
| | | | ||
|3449 | |||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
Line 9,415: | Line 9,471: | ||
| | | | ||
| | | | ||
|1634 | |||
| | | | ||
| | | | ||
| | |4558 | ||
| | | | ||
|5272 | |||
| | | | ||
| | |7669 | ||
| | | | ||
| | | | ||
|8363 | |||
| | | | ||
| | | | ||
|10658 | |||
|10577 | |||
|19293 | |||
|42922 | |||
|33547 | |||
|- | |||
|Na | |||
| | | | ||
| | | | ||
| | | | ||
|1178 | |||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
|5202 | |||
| | | | ||
| | | | ||
|2938 | |||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
| | |2286 | ||
|style="background: #000000;"| | |style="background: #000000;"| | ||
|style="background: #000000;"| | |style="background: #000000;"| | ||
Line 9,465: | Line 9,522: | ||
|style="background: #000000;"| | |style="background: #000000;"| | ||
|- | |- | ||
| | |Do | ||
| | |||
| | |||
| | | | ||
|2066 | |||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
|1817 | |||
| | | | ||
| | | | ||
|5115 | |||
| | | | ||
| | | | ||
| | | | ||
| | |4135 | ||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
| | |6388 | ||
| | | | ||
| | | | ||
Line 9,539: | Line 9,553: | ||
| | | | ||
| | | | ||
|- | |||
! colspan="31"|IA | |||
|- | |||
|Fa | |||
| | | | ||
|1731 | |||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
|2768 | |||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
| | |6733 | ||
| | | | ||
| | | | ||
|5038 | |||
| | | | ||
|6473 | |||
| | | | ||
| | | | ||
Line 9,574: | Line 9,585: | ||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
| | |- | ||
|Bu | |||
| | | | ||
|147 | |||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
|511 | |||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
|8114 | |||
| | | | ||
|10498 | |||
| | | | ||
| | | | ||
|6374 | |||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
|- | |||
|Fl | |||
| | | | ||
| | |838 | ||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
|5893 | |||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
|8009 | |||
| | | | ||
|8024 | |||
|10566 | |||
| | | | ||
|11547 | |||
| | | | ||
| | | | ||
| | |11112 | ||
|14463 | |||
| | | | ||
|57877 | |||
|- | |||
|Sn | |||
| | | | ||
| | |616 | ||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
|6827 | |||
| | | | ||
| | | | ||
Line 9,670: | Line 9,671: | ||
| | | | ||
| | | | ||
| | |13017 | ||
| | | | ||
| | | | ||
| | |3465 | ||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
|8994 | |||
| | | | ||
| | | | ||
| | | | ||
| | |- | ||
|Ru | |||
| | | | ||
|152 | |||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
|1124 | |||
| | | | ||
| | | | ||
Line 9,703: | Line 9,702: | ||
| | | | ||
| | | | ||
| | |4644 | ||
| | | | ||
|7573 | |||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
|- | |- | ||
| | |Pe | ||
| | | | ||
| | |4595 | ||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
|- | |||
|Ma | |||
| | | | ||
|1362 | |||
| | | | ||
| | | | ||
Line 9,735: | Line 9,759: | ||
| | | | ||
| | | | ||
| | | | ||
| | |12758 | ||
| | |style="background: #000000;"| | ||
| | |style="background: #000000;"| | ||
| | |style="background: #000000;"| | ||
| | |style="background: #000000;"| | ||
| | |style="background: #000000;"| | ||
| | |style="background: #000000;"| | ||
| | |style="background: #000000;"| | ||
| | |style="background: #000000;"| | ||
| | |style="background: #000000;"| | ||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |style="background: #000000;"| | ||
|style="background: #000000;"| | |style="background: #000000;"| | ||
Line 9,755: | Line 9,780: | ||
|style="background: #000000;"| | |style="background: #000000;"| | ||
|- | |- | ||
| | |Li | ||
| | | | ||
| | |532 | ||
| | | | ||
| | | | ||
Line 9,767: | Line 9,792: | ||
| | | | ||
| | | | ||
| | |804 | ||
| | | | ||
| | | | ||
Line 9,773: | Line 9,798: | ||
| | | | ||
| | | | ||
|7814 | |||
| | | | ||
| | | | ||
| | |5043 | ||
| | | | ||
| | |4554 | ||
| | |style="background: #000000;"| | ||
| | |style="background: #000000;"| | ||
| | |style="background: #000000;"| | ||
| | |style="background: #000000;"| | ||
| | |style="background: #000000;"| | ||
| | |style="background: #000000;"| | ||
|style="background: #000000;"| | |||
|- | |||
! colspan="31"|LO | |||
|- | |- | ||
| | |Fi | ||
| | | | ||
| | | | ||
Line 9,796: | Line 9,821: | ||
| | | | ||
| | | | ||
|1075 | |||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
Line 9,806: | Line 9,831: | ||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
| | |11888 | ||
| | | | ||
|11621 | |||
|10674 | |||
| | | | ||
|17899 | |||
|12705 | |||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
|- | |||
|Ca | |||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
| | |826 | ||
| | | | ||
| | | | ||
Line 9,831: | Line 9,863: | ||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
|2854 | |||
| | | | ||
| | | | ||
| | |3193 | ||
|style="background: #000000;"| | |style="background: #000000;"| | ||
|style="background: #000000;"| | |style="background: #000000;"| | ||
Line 9,851: | Line 9,878: | ||
|style="background: #000000;"| | |style="background: #000000;"| | ||
|- | |- | ||
| | |Eg | ||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
|4759 | |||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
Line 9,895: | Line 9,897: | ||
| | | | ||
| | | | ||
| | |5977 | ||
| | |||
| | |||
|2404 | |||
| | |||
|style="background: #000000;"| | |style="background: #000000;"| | ||
|style="background: #000000;"| | |style="background: #000000;"| | ||
Line 9,915: | Line 9,910: | ||
|style="background: #000000;"| | |style="background: #000000;"| | ||
|- | |- | ||
| | |Cl | ||
| | |||
| | |||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
|2166 | |||
| | | | ||
| | | | ||
Line 9,927: | Line 9,924: | ||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
Line 9,933: | Line 9,929: | ||
| | | | ||
| | | | ||
| | | | ||
|4913 | |||
| | | | ||
| | | | ||
| | |2152 | ||
|style="background: #000000;"| | |style="background: #000000;"| | ||
|style="background: #000000;"| | |style="background: #000000;"| | ||
Line 9,947: | Line 9,942: | ||
|style="background: #000000;"| | |style="background: #000000;"| | ||
|- | |- | ||
|Ne | |||
| | | | ||
| | | | ||
Line 9,956: | Line 9,949: | ||
| | | | ||
| | | | ||
| | |1400 | ||
| | | | ||
| | | | ||
Line 9,968: | Line 9,961: | ||
| | | | ||
| | | | ||
| | | | ||
| | |4162 | ||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
|4890 | |||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
|- | |||
|Lo | |||
| | | | ||
| | | | ||
Line 9,997: | Line 9,981: | ||
| | | | ||
| | | | ||
| | |12062 | ||
| | |style="background: #000000;"| | ||
|style="background: #000000;"| | |||
| | |||
| | |||
| | |||
|style="background: #000000;"| | |style="background: #000000;"| | ||
|style="background: #000000;"| | |style="background: #000000;"| | ||
Line 10,012: | Line 9,990: | ||
|style="background: #000000;"| | |style="background: #000000;"| | ||
|style="background: #000000;"| | |style="background: #000000;"| | ||
| | | | ||
| | | | ||
| | | | ||
|4738 | |||
| | |||
|5600 | |||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
|- | |||
|Co | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
|526 | |||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
Line 10,030: | Line 10,026: | ||
| | | | ||
| | | | ||
|4290 | |||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
| | |4870 | ||
|style="background: #000000;"| | |style="background: #000000;"| | ||
|style="background: #000000;"| | |style="background: #000000;"| | ||
Line 10,045: | Line 10,038: | ||
|style="background: #000000;"| | |style="background: #000000;"| | ||
|- | |- | ||
| | |Pi | ||
| | | | ||
| | | | ||
Line 10,052: | Line 10,045: | ||
| | | | ||
| | | | ||
| | |305 | ||
| | | | ||
| | | | ||
Line 10,065: | Line 10,058: | ||
| | | | ||
| | | | ||
| | |4762 | ||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
|4917 | |||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
|- | |||
! colspan="31"|BE | |||
|- | |||
|Rob | |||
| | | | ||
| | | | ||
|3436 | |||
| | | | ||
| | | | ||
| | |8254 | ||
| | |style="background: #000000;"| | ||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
|style="background: #000000;"| | |||
| | |style="background: #000000;"| | ||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
|style="background: #000000;"| | |style="background: #000000;"| | ||
|style="background: #000000;"| | |style="background: #000000;"| | ||
Line 10,125: | Line 10,094: | ||
|style="background: #000000;"| | |style="background: #000000;"| | ||
|style="background: #000000;"| | |style="background: #000000;"| | ||
|style="background: #000000;"| | |style="background: #000000;"| | ||
|style="background: #000000;"| | |style="background: #000000;"| | ||
Line 10,141: | Line 10,104: | ||
|style="background: #000000;"| | |style="background: #000000;"| | ||
|- | |- | ||
| | |Roc | ||
| | | | ||
| | | | ||
|1045 | |||
| | | | ||
| | | | ||
|1930 | |||
| | | | ||
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--> | |||
===Stairs in YN=== | |||
There are a lot!!!! | |||
{| style="width: 100%;" cellspacing="0" cellpadding="4" border="1" | |||
|- | |||
| style="text-align: center;" |'''World''' | |||
| style="text-align: center;" |'''''Where'' are the ''Stairs''''' | |||
|- | |||
|Puddle World | |||
|The pink tunnel that leads to Dense Woods A appears to be a stairwell of some sort, telling by the extra lower pixels inside of it. | |||
|- | |||
|Number World | |||
|The world contains a stairway sub-area leading to the FACE event. | |||
|- | |- | ||
| | |Hell | ||
| | |A set of stairs leading downward leads to the Docks B. | ||
| | |- | ||
| | |Static Tunnel | ||
| | |The icon used to enter FC World A from here is a set of stairs. | ||
|- | |- | ||
| | |FC House | ||
| | |The basement is filled with stairs, especially long sets of them. | ||
| | |- | ||
| | |FC World A, B, and Dungeon | ||
| | |Stair tiles are used to go into deeper areas or different rooms in the areas outside of the overworld (such as entering the FC Dungeon, the isolated section from FC House, the entrance to Buyo Buyo's location, and the paths to different rooms within the FC Dungeon). | ||
|- | |- | ||
| | |White Desert B | ||
| | |The way from FC Dungeon is a set of stairs. Madotsuki must also climb a set of stairs to exit the White Desert Lagoon as well. | ||
| | |- | ||
| | |Docks A | ||
| | |The entrance from the Sewers (by using the Midget effect to get to the hallway leading here) is a stairway. | ||
| | |- | ||
| | |Docks B | ||
|Same staircase as the one in Docks A visually, albeit it leads to Hell instead. | |||
|- | |||
|Dense Woods A | |||
|The same tunnel/stairwell warp is used here as is done in Puddle World. | |||
|- | |||
|The Wilderness | |||
| | |A small set of stairs can be found in the Hot Spring House while a very tall set of stairs can be found leading up to the Sky Garden. | ||
| | |- | ||
| | |Sky Garden | ||
| | |Has a set of stone brick stairs leading from the Wilderness. | ||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
|- | |- | ||
| | |Sewers | ||
| | |The pathway accessed with the Midget effect has a set of stairs leading up to the Docks A. | ||
|- | |- | ||
| | |The Mall | ||
|The | |The Mall appears to use escalators, which are simply automatically-moving staircases. | ||
|- | |- | ||
| | |Staircase of Hands | ||
|The | |The whole area is a staircase. | ||
|- | |- | ||
| | |Underground World | ||
| | |Also contains a set of stairs, leading down from the Staircase of Hands. A very tiny stairstep is also before the room with the Mouth Monster. | ||
|- | |- | ||
| | |Spaceship | ||
| | |Once crashed on Mars, a staircase will come down from the Spaceship to allow access to the area. | ||
|- | |- | ||
| | |Mars | ||
| | |Some sets of stairs lead down into the Mars Underground. While unused, there was also originally intended to be a set of stairs instead of a hole atop the Mars Summit. | ||
|- | |- | ||
| | |Madotsuki's Room | ||
| | |A set of stairs is ultimately what allows the player to access the ending and for Madotsuki to jump from the balcony. | ||
|} | |||
[[File:Yn004-BackgroundCharacter5Thumb.png]] | |||
===Yume Nikki Movie drafts and stuff=== | |||
This idea was conceived somewhere in early 2023 and the first drafts were made mid-2023. These were based on a conversation about a hypothetical ''Yume Nikki'' movie, but done as an animated family comedy film with typical crude or awkward/relatable humor, with the idea primarily likened to memes based on children's animated films or stereotypical "Illumination-style films" (for example, [https://www.youtube.com/watch?v=RfbEVieLekc this audio sketch based on the then-unreleased Super Mario movie], which served as a primary inspiration to make any of this). | |||
The first scripts were made by me on June 25th, 2023 and everything ranges from between that time and October 2023. The initial idea behind this was to make it as cringey as a kid's film could be and have extremely dumb trendy or goofy humor, though later on, the idea was toned down a bit, though it still has the goal of being what a stereotypical "somewhat corny kid's film" would be (I think this is reflected the most in Madotsuki and Masada lol). | |||
During the time this concept has been around, a trailer storyboard and fully-made script have been considered, but currently do not exist and would likely take a significant amount of time to make (though I'm leaning towards possibly expanding on the latter option because it would be both stupid and fun). Below is all the stuff from Notes that I had plus stuff that occasionally gets added whenever something comes to mind. It is largely just vague scenes, possible trailer cuts, and some extra notes, including character descriptions and a very rough plot structure, mostly listed in the order I believe they would play out in the hypothetical film, but here is everything: | |||
'''Stupid movie trailer concept based on Yume Nikki hypothetically directed by Illumination. Typical crude + awkward humor = funny type stuff.''' | |||
THIS SUMMER | |||
> Various close-up shots of Madotsuki's Room as a magical, soothing tune plays. | |||
YOU'LL BE LIVING | |||
> Zooms in on Mado's diary, which magically opens up with sparkles. | |||
THE DREAM | |||
> The music rises to a climax as the pages turn before Mado suddenly slams her hands on the table, interrupting the music and page flipping. | |||
'''Mado''': Alrighty...so what did I dream about today? | |||
> Flip to a super quick montage of stuff in her dreams as she explains them. | |||
'''Mado''': Splashed in some mud, saw a dead guy, got claustrophobic, got chased by some weird bird people, aaaand got my head chopped off. | |||
> Last shot is of Mado in the Guillotine. The montage abruptly ends before the Guillotine chops her head off, cutting back to Madotsuki chewing on her pen. | |||
'''Mado''': Eh, pretty boring dream, I guess. (She begins writing in the diary anyway) | |||
> Cut to an outside shot of Poniko's House. | |||
'''Mado''': Um, excuse me...but who the heck are you? | |||
'''Poniko''': I'm a girl with a curse, locked away in this little room in the middle of a vast ocean... | |||
'''Mado''': No, I mean, like, what's your name? | |||
'''Poniko''': Oh...I don't have one... | |||
'''Mado''': I'll call you...Poniko! Cuz you got that crazy ponytail! | |||
'''Poniko''': Well, my hair actually looks like this... | |||
> Poniko undoes a tie in her hair and it flows out all over the place. A majestic light emits from behind her as a heavenly chorus sings. | |||
> Mado looks on with sparkling, open eyes before closing them again and saying: | |||
'''Mado''': Eh, looks lame. I kind of like it better in a ponytail. | |||
> Madotsuki, Poniko, and Masada are all inside Masada's spaceship, which is crash-landing and falling at a rapid rate. | |||
> Masada is facing the organ (which is half a control panel in the film) nervously before turning towards Mado and Poniko and stating: | |||
'''Masada''': Don't worry new friends! I've had TONS of ship training. I know how we can get out of this! | |||
> He turns back towards the keyboard and it is a cluttered mess of buttons, levers, piano keys, and flashing lights. | |||
'''Masada''': What about... (he presses a random button on the control panel) | |||
'''Control Panel''': ACCELERATION ACTIVATED | |||
'''Masada''': GOSH DARNIT! | |||
> The ship speeds up its crash landing as everybody goes flying to the back wall of the ship before they hit Mars. | |||
> Shows a POV shot from the Neon Tile Path, facing the connection to Neon World. The beginning of PSY's "Gangnam Style", slightly muffled, can be heard coming from Neon World. | |||
> Next shot is of Mado, Poniko, and Masada entering Neon World followed by an above shot of the world with everyone dancing like it's a rave. Gangnam Style is now fully playing. | |||
'''Mado''': This party is so... | |||
> Cut to Mado doing the floss dance. | |||
'''Mado''': ...freaking... | |||
> Cut to Masada twerking towards the screen. | |||
'''Mado''': ...LIT!!!!! | |||
> Cut to Poniko breakdancing, doing a super fast spin that transforms her into Uboa. The music stops with a record scratch and all of the Neon Creatures stop dancing and stare at her. | |||
'''Random Neon Creature''': ...IT'S THE MONSTER OF THE PINK SEA!!! | |||
> All of the Neon Creatures flee while screaming in terror. | |||
'''Mado''': (her eyes open up accompanied by a glass shattering sound) ...woah. | |||
'''Masada''': (he is still dancing in the background) Well THAT was awkward! | |||
> Mado, Poniko, and Masada all enter Guillotine World, which is shown to be a large city solely populated by Toriningen (who are only referred to as "bird people" throughout the whole film). | |||
'''Mado''': Oh no, not here...these bird people are kinda... (swirls finger around the side of her head while making coocoo noises) | |||
'''Masada''': Relaaax, guys! You've just got to act natural. | |||
> It is silent for a moment before Masada starts "acting natural" around the Toriningen, putting his arms on his sides and pecking at the ground like a bird/chicken while squawking loudly. | |||
> This only alerts the Toriningen, who all swiftly turn their heads towards the trio menacingly as their eyes glow fully pink, all sporting angry expressions. | |||
'''Masada''': (he nervously gulps and scratches the back of his head) Well, that didn't work... | |||
'''Poniko''': RUN! | |||
> Poniko grabs onto Madotsuki and they both run as Masada trails behind, flailing his arms in the air while screaming. | |||
> Epic and dramatic chase scene ensues. | |||
> The trio escapes the large crowd of Toriningen by ducking into an alley and hiding behind a closet. They all wipe their brow and let out a breath of relief in unison. | |||
'''Mado''': Now THAT was a close one... | |||
'''Poniko''': Masada...you're an idiot. Why did you even TRY that? | |||
'''Masada''': Hey! I worked really hard on that impression! | |||
> The closet behind them suddenly opens up, revealing a Closet Creature inside, who swipes them up and takes them inside. The scene cuts to black. | |||
'''Additional vague plot structure''': | |||
Madotsuki goes to her dream world and meets Poniko and the two of them then meet Masada. They follow Masada around, even though Masada encourages them to leave him alone, but they are all seen by Mars-san, who is Masada's boss. Mars-san is the antagonist of the film and acts sort of as a tyrannical boss/king-like figure.<br/>Mars-san does not take kindly to Masada leading normal humans into his dream realm, so he sentences them up for execution.<br/>The three plead and Madotsuki makes a deal with Mars-san: if the three of them can return to Mars-san with the 24 effects found throughout the dream world after 3 days, then they get to live and are allowed to wander the dream world as they please.<br/>The film follows the three of them embarking on their quest for the effects, entering dangerous dream worlds and meeting strange characters in even weirder scenarios. | |||
'''Additional character personalities''': | |||
'''MAJOR CHARACTERS''' | |||
'''Madotsuki''' | |||
One of the three protagonists. Very goofy and jolly, often the one to deliver dumb one-liners relating to the current situation, or just in general giving commentary.<br/>There is a running gag where certain events, like scary or stunning things, cause her typically-closed eyes to pop open. Vaguely like a typically goofy teenager with a normally upbeat personality. | |||
'''Poniko''' | |||
Very closed-off and a bit quiet, though still makes conversation with Mado and Masada.<br/>One plot point of the movie is that she is "cursed" with the power to turn into Uboa and needs to learn how to control this power, as she often transforms into Uboa at the worst times and is<br/>feared as the "Monster of the Pink Sea". By the end of the film, she learns to take control of her power and use it for good to help her friends in a bad situation. | |||
'''Masada''' | |||
Quite possibly the goofiest of them all. Very squash-and-stretch and either constantly anxious or a slight nerd who believes he has everything under control when he typically doesn't.<br/>Very anxious unless he's just having fun. He is a servant/employee to Mars-san, so both his job and life are on the line during this adventure. Typically the center of the slapstick or awkward<br/>comedy bits. | |||
'''SUPPORTING CHARACTERS''' | |||
'''Mars-san''' | |||
The main antagonist of the film and acts as a king/boss-like figure for the dream world. Doesn't take kindly to humans like Madotsuki and blames Masada for leading her to his chambers.<br/>Sets up the adventure that the trio must go on. He leads an army of other dream denizens who attempt to stop the trio's quest and has all-seeing vision to view their progress. | |||
'''Monoe''' | |||
Virtually a celebrity in the White Desert, she's said to know her way around the entire dream world and know many important figures. A "popular girl" figure somewhat.<br/>She is able to help the dreamers navigate some of the effects but doesn't tag along. | |||
'''Monoko''' | |||
Tags along right behind Monoe, even though not as popular and pretty dimwitted compared to her. She cheers her on and essentially just supports her while backing off White Desert paparazzi. | |||
'''Boss Toriningen''' | |||
A special Toriningen inhabiting one of the tallest buildings within the Guillotine World city. Unlike a lot of the Toriningen, they're much more controlling of their lunatic side and run an office space that other dream denizens work in. A bit of a rebel towards Mars-san and makes a deal with the trio upon hearing their story, proposing to give them an effect in exchange for completing a task. Mob boss energy. | |||
Idk how I'm going to incorporate any of the other popular characters into this I would need to do actual heavy scriptwriting for this if I wanted to (I kinda do). | |||
'''ROUGH PLOT STRUCTURE (SPOILERS IF YOU SOMEHOW ACTUALLY CARE ABOUT THIS DUMPSTER FIRE!!!!!!)''' | |||
> Madotsuki is introduced. | |||
> Madotsuki goes to Snow World, gets the Yuki-onna effect, goes to the Pink Sea, and meets Poniko. | |||
> The two enter Snow World and go through the Staircase of Hands -> Underground World -> Spaceship process. They meet Masada. | |||
> They crash land on Mars and all three encounter Mars-san, who sets their goal. | |||
> Mado already has Severed Head, Stoplight, Yuki-onna, Umbrella, and Poop Hair from the previous scenes, so the trio sets for the Nexus. | |||
> They try and start simple in Shield-folk World and try to catch Nekoin for the Cat effect. Masada stumbles into FC World for the Demon effect (please include 'so retro' jokes here). | |||
> ??? | |||
> Neon World scene. Read above. You know the one. | |||
> ??? | |||
> Guillotine World scene(?) Needs to happen before the second-act conflict. The trio somehow "betrays" the Boss Toriningen, probably by not completing the task they assigned them while still<br/>taking the effects. They'd need a reason for the Toriningen to be infuriated later. | |||
> ??? | |||
> Second-act conflict involves the trio getting caught by the Toriningen mob and getting sent to Hell (or the Teleport Maze idk), which is depicted as a sort of prison. Poniko is able to escape with her "Uboa powers" but leaves the other two behind in an attempt to fulfill the rest of the quest herself, considering there are only a few effects left. | |||
> Cue sad montage of memories and goofy stuff the trio did. Poniko has a sudden change of heart and, realizing she has become much more controlling over her powers thanks to her friends<br/>increasing her confidence, goes back to free Mado and Masada. | |||
> Cut to Masada attempting to saw the bars with a file he so happened to have as Madotsuki sits in the corner, depressed about her friend leaving her. "Don't worry, Mado! We'll be outta here<br/>in NO TIME!" (the file breaks in two and crumbles into dust). | |||
> ??? | |||
> Penultimate scene is the trio fighting against Mars-san and his army (maybe he sets aside his difference with the Boss Toriningen and its a huge fight between all of them). Mado and Masada<br/>use the effects while Poniko uses freaking epic cool awesome Uboa powers. |
Revision as of 17:05, 12 September 2024
Welcome to my sandbox. This is where I'll put stuff when I'm experimenting with wiki assets, constructing new pages, or just doing trivial analytical things for fun.
Specific World Exploration
Documenting how the dream world can be explored under certain conditions and other various things related to the dream world. Click Expand to view contents.
Name Articles
The "Name" articles are a series of articles originally created by Mt.kiki on the old Yume Nikki Wiki. These pages list various theories relating to Yume Nikki and possible design inspirations for various aspects of the game. As the articles (likely) provide a Japanese point-of-view on the game's visuals and themes, they are likely to give better insight into possible design processes while creating Yume Nikki.
As the articles are either largely written in Japanese, have broken Google-Translated English, or are copy-pasted from other websites, I'd like to try and see if I could decode what each of the article's sections intends to communicate. This is also done to squeeze the contents of the articles into a smaller, usually multi-paragraph, state so that it can be read from a single section rather than an entire article.
Not all of the articles have currently been analyzed or translated, so this is still a work-in-progress section. Once one has been completed, an image will accompany the section.
Click Expand to view contents.
Article Construction
Construction and testing for article ideas or possible future articles. Stuff here may or may not appear in/as future articles. Heavy WIPs ahead.
Click Expand to view contents.
Yume Nikki Internal Stuff
Sorting through and observing internal stuff relating to the original Yume Nikki. Click Expand to view contents.
Fun
Stuff for fun, I guess. Click Expand to view contents.