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Yume Nikki:Madotsuki's Room: Difference between revisions

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==[[Yume Nikki:Theories|Theories]]==
==[[Yume Nikki:Theories|Theories]]==
{{Spoiler}}
{{SpoilerSectionStart}}
[[File:YN Lamp World.png|thumb|right|200px|Reoccurring parts of the dream world may be due to real-world elements in Madotsuki's room, such as her desk lamp.]]
[[File:YN Lamp World.png|thumb|right|200px|Reoccurring parts of the dream world may be due to real-world elements in Madotsuki's room, such as her desk lamp.]]
Due to Madotsuki's room being the only thing to visually stimulate Madotsuki in the real world, it's likely that elements of her room have affected her dreams. Some elements of her room appear straightforwardly in her dreams, such as the identical Beds in places such as [[Yume Nikki:Block World|Block World]] and [[Yume Nikki:Snow World|Snow World]], the many lamps in places such as [[Yume Nikki:Puddle World|Puddle World]] and [[Yume Nikki:Lamp World|Lamp World]] (as she has a small lamp on her desk that lights up when writing in her diary), and even her door appearing in the [[Yume Nikki:Number World#Stairway|Number World Stairway]] as well as doors being the main theme of the Nexus area adjacent to her dream room. Her Famicom, which can play the ''NASU'' game, appears to have also affected her dreams in the form of the [[Yume Nikki:FC House|various]] [[Yume Nikki:FC World A|Famicom]] [[Yume Nikki:FC World B|worlds]]. The large carpet in her room has a very similar appearance to Paracas textile work, which may have inspired the many instances of [[Yume Nikki:Indigenous Imagery|indigenous imagery]] in her dreams.
Due to Madotsuki's room being the only thing to visually stimulate Madotsuki in the real world, it's likely that elements of her room have affected her dreams. Some elements of her room appear straightforwardly in her dreams, such as the identical Beds in places such as [[Yume Nikki:Block World|Block World]] and [[Yume Nikki:Snow World|Snow World]], the many lamps in places such as [[Yume Nikki:Puddle World|Puddle World]] and [[Yume Nikki:Lamp World|Lamp World]] (as she has a small lamp on her desk that lights up when writing in her diary), and even her door appearing in the [[Yume Nikki:Number World#Stairway|Number World Stairway]] as well as doors being the main theme of the Nexus area adjacent to her dream room. Her Famicom, which can play the ''NASU'' game, appears to have also affected her dreams in the form of the [[Yume Nikki:FC House|various]] [[Yume Nikki:FC World A|Famicom]] [[Yume Nikki:FC World B|worlds]]. The large carpet in her room has a very similar appearance to Paracas textile work, which may have inspired the many instances of [[Yume Nikki:Indigenous Imagery|indigenous imagery]] in her dreams.
[[File:Yn-flight.png|thumb|right|200px|The Witch's Flight event, which may foreshadow the ending.]]
Madotsuki's balcony is also a point of interest. Notably, a pair of shoes can be seen there. In Japan, it is customary to take off your shoes while going inside a house, though this is also done when entering the afterlife or before ending one own's life. Various dreams and events, such as the [[Yume Nikki:Events#Falling Men|Falling Men]] event and [[Yume Nikki:Events#Witch's Flight|Witch's Flight]] event (it should also be noted a broom is on the balcony, connecting it to the Witch's Flight event), could mean Madotsuki contemplated jumping from her balcony even before the events of the game. It could also be theorized that the stairs on the balcony were present all along but possibly repressed by Madotsuki's memory in an attempt to stop herself from jumping, as even in the dream world, imagery of stairs is highly prevalent, either making up the majority of some areas (such as the Staircase of Hands or [[Yume Nikki:FC House|FC Basement]]) or occasionally making small appearances in others (such as the [[Yume Nikki:White Desert B|White Desert Underground Lagoon]] and [[Yume Nikki:Hell|Hell]]).


Madotsuki's room in the real world has drawn similarities to a story involving the Japanese comedian Tomoaki Hamatsu (also known by his stage name "Nasubi") and could have possibly been the inspiration for Madotsuki's real-world situation. In 1998, Nasubi had won a lottery for a job in show-business, which turned out to be a reality TV stunt in which he was locked in an apartment with no food or clothing, live-streamed, and forced to win his way out by earning one million yen worth of prizes via magazine sweepstakes. Some elements of Nasubi's experience, whether they were there from the beginning or were won through the sweepstakes, could be represented in Madotsuki's room:
Madotsuki's room in the real world has drawn similarities to a story involving the Japanese comedian Tomoaki Hamatsu (also known by his stage name "Nasubi") and could have possibly been the inspiration for Madotsuki's real-world situation. In 1998, Nasubi had won a lottery for a job in show-business, which turned out to be a reality TV stunt in which he was locked in an apartment with no food or clothing, live-streamed, and forced to win his way out by earning one million yen worth of prizes via magazine sweepstakes. Some elements of Nasubi's experience, whether they were there from the beginning or were won through the sweepstakes, could be represented in Madotsuki's room:
Line 54: Line 49:
*He also wrote in a diary, which became a best-selling book in Japan. The diary concept is central to ''Yume Nikki'' and is used to save the game.
*He also wrote in a diary, which became a best-selling book in Japan. The diary concept is central to ''Yume Nikki'' and is used to save the game.
It's possible that the events of ''Yume Nikki'' are a fictional recreation of an event similar to Nasubi's own experience, which would explain why Madotsuki is unable to leave her room and is shown to live in the unrealistic condition of being in an apartment with no food or bathroom. This could be why she jumps from the balcony at the end of the game, as it is the only possible escape, and living in such conditions could have negative psychological effects on a person. It's also likely that KIKIYAMA was simply aware of the Nasubi story and used it as inspiration for the real world's setting.
It's possible that the events of ''Yume Nikki'' are a fictional recreation of an event similar to Nasubi's own experience, which would explain why Madotsuki is unable to leave her room and is shown to live in the unrealistic condition of being in an apartment with no food or bathroom. This could be why she jumps from the balcony at the end of the game, as it is the only possible escape, and living in such conditions could have negative psychological effects on a person. It's also likely that KIKIYAMA was simply aware of the Nasubi story and used it as inspiration for the real world's setting.
{{SpoilerSectionEnd}}
 
==Gallery==
==Gallery==
<gallery>
<gallery>

Revision as of 07:48, 18 April 2024

Madotsuki's Room
Mado's Room.png
Basic Info
Japanese Name(s)

窓付きの部屋
窓付きの部屋
Madotsuki no heya
現実の部屋
Genjitsu no heya
Real Room
ベランダ
Beranda
Veranda

Effects EffectNone
Events Crick in the Neck, NASU, KALIMBA TV Channel, Ending
Notable NPCs NASU, KALIMBA
Other
Connecting Areas Nexus (From the Dream Room)
Staircase of Hands Chance🍀
BGM 🔊 ゆめにっき – Save theme
🔊 ゆめはいつもベランダから – Madotsuki's Dream Room
🔊 カリンバ – KALIMBA TV Channel
Map ID 0003 (Real Room)
0004 (Balcony)
0006 (Dream Room)
0007 (Dream Balcony day)
0008 (Dream Balcony night)
Map Type Small, Non-looping, Multiple maps
Version Added 0.00
Extras +

YNOproject Badges

Kalimba.png KALIMBA
Nasu(badgeyn).png NASU
Nasu pink(badgeyn).png Pink NASU
Mado(badgeyn).png Window
BadgeYN crick in the neck.png Slept Wrong

Madotsuki's Room is where the player starts and ends the game. This room and its balcony are the only locations Madotsuki can access outside of her dreams.

Features

Real World

Madotsuki's Room is where Madotsuki resides. It is a rectangular room with wooden floorboards and a light-purple wall with a dark-purple baseboard. To the north is a door leading outside of the room, though Madotsuki will simply shake her head when attempting to interact with it in the real world. This may be either due to her being a hikikomori, or because Madotsuki is physically unable to open it. To the south is a sliding door leading to the room's balcony, revealing the room is in a tall building high in the sky. The outside world as seen from the balcony changes depending on the time of day.

Madotsuki's Balcony during the day.

Decorating the room are four pillows, a bookcase, a desk with a desktop lamp and rolling chair, a CRT television with a red Famicom console, a carpet resembling Mesoamerican textile art, and a brown bed which Madotsuki can get in to sleep, prompting a three second countdown in the top left corner of the screen. The rolling chair can be sat on to start writing in Madotsuki's diary, which gives the player the option to save the game. The television can be turned on, though only a test card appears and the television's only function is for playing NASU, which can be done by interacting with the Famicom. On the balcony are several air conditioning units, a pair of green shoes, a broom, and a drying rack.

In the manga, her room is the same and has the same role as the game. However, the manga dwells on the theory that she cannot leave the room because someone locked her in.

Dream Representation

When Madotsuki falls asleep in her bed, she will start her dream sequence on a dream representation of her balcony (夢ベランダ, Dream Veranda). Everything appears normal with the exception of the background, which will be different between the real and dream worlds. The bedroom (夢の部屋, Dream Room) is also nearly identical, with the exception of the missing Famicom.

Though the room appears overall the same, some objects within the room have different functions. The television will no longer display a test card, instead showing a black channel with a large eye. The television also has a 1/8 chance of showing a KALIMBA face and playing the KALIMBA TV Channel event. The rolling chair can also be sat in and equipped like an effect, letting Madotsuki move around while seated, though Madotsuki can not get off the chair until it is returned to her desk. Getting into the bed once again also has a 1/5 chance of being able to send you to the Staircase of Hands. Most important of all the differences is the door to exit her room, which can now be opened to enter the Nexus and thus the expansive dream world.

Trivia

  • There is a 1 in 64 chance that upon waking up, Madotsuki will have a crick in her neck that will cause her head to be always facing towards the left. While in this state, she cannot play NASU or save the game and can only go back to sleep.
  • In version 0.04, there is an unused panoramic background depicting several images of Madotsuki's room in a Fibonacci spiral formation. Though the use of this background is unknown, it could have been intended for Madotsuki's dream bedroom or the dream balcony.
Yn006 dreamTV.png
  • In versions before 0.07, the TV in the dream world had a different design on it. In 0.07, there is a 1 in 8 chance that the dream TV will be on by default.
  • The door that leads to the FACE event in the stairway of Number World is the same one that Madotsuki refuses to open in the real world. This could suggest that FACE represents her fear of whatever is beyond her room. In the files of version 0.08, graphics for a Paracas-styled gate known as FACEtile could have been used instead.

Theories

Reoccurring parts of the dream world may be due to real-world elements in Madotsuki's room, such as her desk lamp.

Due to Madotsuki's room being the only thing to visually stimulate Madotsuki in the real world, it's likely that elements of her room have affected her dreams. Some elements of her room appear straightforwardly in her dreams, such as the identical Beds in places such as Block World and Snow World, the many lamps in places such as Puddle World and Lamp World (as she has a small lamp on her desk that lights up when writing in her diary), and even her door appearing in the Number World Stairway as well as doors being the main theme of the Nexus area adjacent to her dream room. Her Famicom, which can play the NASU game, appears to have also affected her dreams in the form of the various Famicom worlds. The large carpet in her room has a very similar appearance to Paracas textile work, which may have inspired the many instances of indigenous imagery in her dreams.

Madotsuki's room in the real world has drawn similarities to a story involving the Japanese comedian Tomoaki Hamatsu (also known by his stage name "Nasubi") and could have possibly been the inspiration for Madotsuki's real-world situation. In 1998, Nasubi had won a lottery for a job in show-business, which turned out to be a reality TV stunt in which he was locked in an apartment with no food or clothing, live-streamed, and forced to win his way out by earning one million yen worth of prizes via magazine sweepstakes. Some elements of Nasubi's experience, whether they were there from the beginning or were won through the sweepstakes, could be represented in Madotsuki's room:

  • At the beginning of the challenge, he had a rack of magazines so he could enter sweepstakes. Madotsuki has a bookcase in her room filled with books.
  • Other parts of the room before Nasubi had won anything included a cushion and table, which could be represented by the table that Madotsuki sits at and the various pillows scattered throughout her room.
  • Nasubi won a television by entering sweepstakes, though it had no antennae or cable, so he could not watch it, similar to how the TV in Madotsuki's room has no channels. He eventually won a VCR and two video tapes to watch, which could be why two channels appear on Madotsuki's TV in the dream world (the eye channel and the KALIMBA channel).
  • He won a Playstation on which he could play games, which could be represented by the Famicom in Madotsuki's room whose only playable game is NASU. The eggplant theme associated with NASU may also reference the "Nasubi" stage name.
  • He also wrote in a diary, which became a best-selling book in Japan. The diary concept is central to Yume Nikki and is used to save the game.

It's possible that the events of Yume Nikki are a fictional recreation of an event similar to Nasubi's own experience, which would explain why Madotsuki is unable to leave her room and is shown to live in the unrealistic condition of being in an apartment with no food or bathroom. This could be why she jumps from the balcony at the end of the game, as it is the only possible escape, and living in such conditions could have negative psychological effects on a person. It's also likely that KIKIYAMA was simply aware of the Nasubi story and used it as inspiration for the real world's setting.

Gallery

... more about "Madotsuki's Room"
? (?, ?, ?, ?, ?, ?) +, ? (?, ?, ?, ?, ?, ?) +  and ? (?, ?, ?, ?, ?, ?) +
Small +, Non-looping +  and Multiple maps +
窓付きの部屋 +
3 (Real Room) +, 4 (Balcony) +, 6 (Dream Room) +, 7 (Dream Balcony day) +  and 8 (Dream Balcony night) +